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9 years ago
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Documentaries have traditionally fallen into two categories: straightforward accounts that tell their story using photo/video/audio snippets plus interviews (think Ken Burns), and those that use re-enactments and other creative devices. Recently, there have been some very innovative examples of the latter category (Kurt Cobain: Montage of Heck, the narrative/doc hybrid A Woman Like Me). Now we have Andrew Shapter’s The Teller and the Truth, a haunting and evocative film about the 1974 disappearance of Francis Wetherbee, a young Texas bank teller whose car was found submerged in a nearby river, but whose body was never found. Though it looks and feels like a real-life chronicle, The Teller and the Truth is something else entirely.
The film starts off like a typical documentary, becomes a sort of true-crime whodunit, and ultimately ends up a highly romantic speculation on what might have happened to the lovely Wetherbee. It’s as intriguing for its unorthodox handling of truth-versus-fantasy as it is for its subject matter.
Apparently Shapter first came upon the long-forgotten story of Wetherbee several years ago when he saw a striking black and white print of a sad-eyed young woman taken by his photographer uncle and mentor. The photo had been shot a week after its subject was briefly taken hostage by a masked bank robber -- she was unhurt but reportedly traumatized -- and two weeks before she mysteriously disappeared. Shapter, who had previously made the documentarie[...]
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Just before the release of their new record, Syracuse's synth popper’s Ra Ra Riot played a stripped down show at Brooklyn’s Rough Trade. Vocalist Wes Miles, guitarist Milo Bonacci, bassist Mathieu Santos, violinist Rebecca Zeller, and drummer Kenny Bernard joined the audience on the floor of the venue, standing maybe a foot from the front row. The band formed a haphazard circle of mic stands and instruments. In that formation they looked more like a handful of buskers than a band. It was an excellent setting for the soft vocals and synth-soaked songs of the new Ra Ra Riot.
The show was part of a Rough Trade sort of bundle sale. Copies of the band’s album, Need Your Light, that were sold at the record store/venue came with two wristbands. The wristbands allowed wearers to not only get into the in-house show, but also to have their copies signed by the band afterwards. The gig was otherwise closed to the public and a great way to see the band in such a small setting before they come back to New York to play Webster Hall in March. This kind of show has become something of a staple on the Rough Trade schedule. Artists like Odesza, Kendrick Lamar as well as Yelawolf have all done similar in-store performances paired with signings to help promote new releases. Next month, Santigold will hold one of her own for her new album 99 Cents.
Ra Ra Riot’s evening performance preceded both the release of their record and the band’s tour with Sun Club and everyone’s new favorite[...]
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9 years ago
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There was once a professor who consistently lamented people not spending time with a work of art. She felt that consuming art became speedy, mediums were not fully appreciated in their details, and therefore a lot of great artwork may never get proper recognition. It's safe to say this is true for many people, and even those like myself who studied art have definitely overlooked pieces due to the extreme saturation of available art to see, especially in a metropolis like New York City (though it is something I greatly try to avoid while in a space.)
I was stuck in front of Scott Williams' painting 50th Street Maspeth this past weekend, due to the intimate space at Art101 being packed with people, but I'm glad I was. His work first appears like an impressionistic modern landscape - a view of the street, cars parked, sunny day, fence to the side - but the more I stared at it the more odd I found it. I noticed his use of perspective is based on traditional one-point perspective yet it is shifted off to the side thereby disrupting the everyday banality of this type of setting. Furthermore, his use of oil paint appears both deliberate, in regards to shadowing and color, and accidental in regards to the application of paint itself. This imbues the scene with a sense of randomness and further complicates it. He writes of his "chance" paintings - "For on site, 'plein air painting', a map of Queens and Brooklyn was marked with gridded coordinates. Throwing numbered and lettered coi[...]
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9 years ago
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On February 14, celebrated fashion designer Tracy Reese's intimate Fall 2016 collection paid respects to her hometown of Detroit, while tipping its hat to new innovations in runway presentations. And as part of all the newness, a nine-minute film called Detroit Love Story, helped to round out the loving tribute to her beloved city.
Design elements in Reese's Fall/Winter Ready-To-Wear includes bold patterns like florals, plaid and herringbone, and retro-inspired polka dots, calf-length coats and garter socks.
Find out more about Reese's fashionable hometown love affair after the jump!
Photo Credit: New York Magazine
The mini-movie was followed by a relaxed piano-accompanied showcase of Reese's latest designs. The untraditional presentation points to a "runway fatigue" that's now taking hold in the design world. Take designers like Vetements, Michael Kors and Rebecca Minkoff, for instance, who are eschewing the customary fashion schedule for see now, buy now looks. Designers like Reese are interested in changing the way new designs are showcased.
"Doing the same thing season after season doesn't seem relevant," Reese tells Vogue. "This felt like the right moment to do something different."
Below: Images from February 14 Tracy Reese showcase
Photo by Robert Mitra/WWD
But what's also noteworthy about this creatively nostalgic showcase is its tribute to a city that typically gets a bad rap. In one sweeping moment, Reese helped us to see "the motor city" throug[...]
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9 years ago
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Danish director Tobias Lindholm’s masterful new film, A War, is an exceptionally intelligent and sensitive depiction of the War in Afghanistan, both the complicated moral issues faced by occupying troops and the toll on their families back home. That’s not to say that this Oscar nominee for Best Foreign Language Film isn’t gripping or that its action sequences lack punch – one battle sequence is particularly pulse-pounding and stomach-churning. Shot in a straightforward style, the movie is never spectacular or overblown; Lindholm largely lets the situation's drama speak for itself. A War follows CO Claus Pedersen (Pilou Asbæk, who previously starred in Lindholm’s A Hijacking) and his unit – who are trying to weed the Taliban out of an Afghan province while protecting civilians – as well as Pedersen’s family in Denmark.
The tense vibe of the film is set early on when Claus’s unit is out on patrol. Sure enough, a young gunner is suddenly caught in a mine explosion, a horrific scene that brings home the unpredictability of the unit’s every mission as well as its close camaraderie. The CO – a tough but decent sort – is sympathetic to one soldier (Dulfi Al-Jabouri) who is badly shaken up by the incident, putting him on camp duty for a few weeks. Claus himself will replace both men on patrols, though it is not his usual role.
Meanwhile in Denmark, his wife Maria (Tuva Novotny) is dealing with their three young children, one of whom is having disruptive behavioral issu[...]
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9 years ago
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Forget this year's Oscars! The 2016 Screen Actors Guild Awards offers a wildly gorgeous array of surprisingly fresh looks that will surely influence future fashion to come. (It also showed that 69-year-old Susan Sarandon is still too legit to quit.)
The January 30th telecast, featured television and film luminaries wearing unpredictably dope designs from up-and-comers including Erdem and Peter Pilotto.
To use two-time 2016 SAG Award winner Idris Elba words to best summarize the gowns seen at last night's SAG Awards: "Ladies and gentlemen, welcome to diverse TV."
Check out five stand-out progressive styles that's definitely pushing awards show fashion forward.
Daring Statement Makers
Photo Credit: Getty Images
While actress Mad Men's Sola Bamis stole the red carpet wearing a marigold-hued bow dress by Lola Wusu, American Horror Story's Sarah Paulson surprised many with a black velvet and jewel-toned fringed gown.
New Spins On Vintage
Wearing a bespoke Rachel Comey dress and turquoise grandma heels, Transparent's Gaby Hoffman, is the best example of vintage as new-and-modern. Another stand out: Alicia Vikander's Louis Vuitton number featuring traditional color-blocking of black, silver, and gold. And while the actress took home an award for best female actor in a supporting role for The Danish Girl, her look was already a winner in itself.
Unexpected Colors
Photo Credit: Steve Granitz/Wireimage
2016 SAG Award winner [...]
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9 years ago
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I came across Katy Grannan's photographs at Salon 94 after visiting the New Museum next door. While individually they remain striking portraits, albeit not vastly unique in the photographic spectrum, what makes her work important lies in her documentary approach to the sleepiness, strangeness, and pathos of Modesto, California.
Also the setting of her upcoming documentary, The Nine, the pieces ranged from large-scale individual portraits, to landscapes, and video clips. The portraits are blazing in their preciseness and their size allows for the individuals to tower over the viewers, commanding the most space and attention in the room they are in. The men are shirtless, and the women sport outfits that look like they're from the 80's. A look of disillusionment permeates through their faces, however, and in the case of the women, it betrays the vibrancy of their clothing.
What's really at the heart of Grannan's work is a commentary on the American class system - ripe in the media these days thanks to shows like Making a Murderer - and "the other side of the American Dream." Modesto was the location in The Grapes of Wrath and Dorothea Lange's photograph Migrant Mother, both gripping portrayals of The Great Depression's physical and emotional effects on the psyche and physicality. And essentially, Grannan's work from Modesto serves as the setting of our contemporary depression. And the photographs speak for themselves in this regard - the subjects are present but not f[...]
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Enter Ziggy Stardust.
Bowie’s beloved persona began with the release of 1972’s The Rise and Fall of Ziggy Stardust and the Spiders from Mars. Stardust starred as the record’s fictional alien rock star who arrived on Earth just as it received the news that the world would end in five years. In the album’s opening track, which is aptly titled “Five Years”, Stardust laments about the planet’s fate while walking amongst it’s doomed species. He resembled them in shape, but is extreme in all other aspects. He had wild hair, outlandish outfits, and an overall zeal that made him an eccentric, especially compared to the cop, soldier, priest, mother and newscaster that populate the rest of the song.
In a 1974 interview with “Beat Godfather” William S. Burroughs, Bowie described the scene:
...It has been announced that the world will end because of lack of natural resources. [The album was released three years ago.] Ziggy is in a position where all the kids have access to things that they thought they wanted. The older people have lost all touch with reality and the kids are left on their own to plunder anything. Ziggy was in a rock & roll band and the kids no longer want rock & roll. There's no electricity to play it. Ziggy's adviser tells him to collect news and sing it, 'cause there is no news. So Ziggy does this and there is terrible news. "All the Young Dudes" is a song about this news. It is no hymn to the youth as people thought. It is completely the opposite[...]
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9 years ago
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Romania's official 2016 Academy Awards entry for Best Foreign Language Film, Aferim! is an unconventional and beautifully shot black-and-white movie that is both reminiscent of an American Western and exotic in its depiction of a bygone (and perhaps not so bygone) foreign culture. The episodic tale, which takes place in 1835 Wallachia (a region in Romania), follows a lawman and his son as they traverse a desolate landscape in search of an escaped gypsy slave.
Directed by Radu Jude and co-written by novelist Florin Lazarescu, Aferim! (which means “Bravo!”) is based on actual accounts of gypsy slavery. Though often comedic (the dialogue is full of crudely funny banter), it serves as a semi-historical commentary on Romania’s anti-Roma sentiment, which is still very much in evidence today. It also starkly depicts the ridiculous prejudices that people of one nationality or religion have for others, in addition to other forms of bigotry.
Constable Costandin (Teodor Corban) and his teenage son Ionitā (Mihai Comānoiu) first come upon an abbey on their travels, where they cross themselves and light candles like good Catholics, though Costandin has already cruelly berated an old woman and threatened a bunch of local gypsies. He’s a scrappy, equal-opportunity offender, who hurls insults at almost everyone he comes across – especially poor “crows” (gypsies) – or denigrates them behind their backs. In contrast, Ionitā is more reserved and thoughtful. The two carry a ma[...]
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9 years ago
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David Bowie was a musician of almost immeasurable influence. His last name echoes amongst the likes of Fitzgerald, Lennon, Presley, Ramone, Nicks and Cobain as one of the people responsible for music today. For almost half a century, he graced genre after genre with his albums, exploring each with an obsessive eye. From folk rock to krautrock-laced funk to art rock and experimental, there seemed to be no undertaking that Bowie couldn’t master. He fathered sub-genres and inspired others to do the same.
He became known not only for his songs, which climbed the charts like English ivy, but also his oddities. His hair, his face paint, his outlandish outfits. During the era of Ziggy Stardust from his station in glam rock, he made being an outsider ‘in’. He challenged gender norms, racism, politics, and a whole manner of preconceived notions of how music was supposed to be. He was an idol, a style icon, a pop star, the star of your favorite childhood movie and in his final effort he was a blackstar.
Bowie’s final album Blackstar was released on January 8th, coinciding with his 69th birthday. The record is a short, emotional, and strange departure from the various forms of pop that Bowie is best known for, but fittingly so. Bowie was never going to be predictable. Two days after the album’s release, the seemingly immortal Bowie died after a long battle with cancer. Blackstar then took on its intended meaning. It was his swan song. With every subsequent listen it seemed increas[...]
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9 years ago
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David Bowie was an incredible genius that has been a massive influence on the fashion world from ready-to-wear to high couture, trailblazing trends for both men and women alike.
Since news of David Bowie's tragic death on Sunday, January 10 hit the internet the following Monday, a deluge of mournful tributes on sites like Twitter and Facebook have brought back to attention many of his gender-fluid, enigmatic looks throughout the music legend's career, which span six decades.
His constant sartorial evolutions have left indelible mark on fashion, as evident in the multitude of status updates, images, and video, paying homage to Bowie.
Bowie as Ziggy Stardust. Photo Credit: Ilpo Musto / Rex Features
From Jean-Paul Gaultier's 2013 "Rock Stars" collection to Haider Ackermann's latest Spring 2016 line, it's no doubt that Bowie's influence still impacts fashion these days.
On Monday, Gaultier told The Associated Press, "personally, he inspired me by his creativity, his extravagance, his sense of fashion that he was constantly reinventing, by his allure, his elegance and his androgyny."
Below: 1) Jean-Paul Gaultier spring 2013, 2) Haider Ackermann spring 2016, and 3) Dries Van Noten men’s fall 2011 collections.
Photo Credit Jacques Brinon/Associated Press, Valerio Mezzanotti/Nowfashion, Francois Guillot/Agence France-Presse — Getty Images
To Karl Lagerfeld, Bowie was "a great artist, and a timeless icon...who will remain a reference."
And on Tue[...]
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9 years ago
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Based on the novel by Bonnie Nadzam, Lamb is an unsettling drama about the relationship between an unmoored middle-aged man and a precocious young girl. The movie, starring and directed by Ross Partridge, consists mainly of a road trip, fraught with the self-centered needs of its protagonist and set against the beautiful backdrop of the duo’s natural surroundings (Wyoming and Colorado).
When we first meet David Lamb (Partridge), he’s denying the fact that his wife has left him to his ailing, alcoholic father, who knows better; David also lies about his wife’s desertion to co-worker Linny (Jess Weixler), with whom he is having an affair. Despite his good looks and laid-back outward demeanor, David is obviously a guy with issues.
Some time later, he is smoking in a parking lot after his father’s funeral, when 11-year-old Tommie (a terrific Oona Laurence) saunters up and asks for a cigarette, a dare set up by her friends. David’s reaction – he not only gives her one, but lights it – is the just the first of many disturbing moments in this film and in their relationship. He pretends to kidnap Tommie to scare her friends, but actually drives her home, and lectures her about approaching him: “I’m not a bad guy, but I could have been.” (He introduces himself as “Gary,” one of many lies he tells to various people he knows or encounters.)
This sets the tone for the rest of the film, showing both David’s concern for Tommie and his disconcertingly inappropriate behavior[...]
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