Category archives: Performance

  • It was the industrial revolution that first attempted to record sound “as a medium for preservation," activating the phenomena of noise as an integral source when documenting history. Thomas Edison received notoriety for the phonograph in 1877, but it was really Edouard-Lèon Scott de Martinsville who invented the phonautograph in 1857, the first recording device. The device was specifically created to study frequency found in sounds, an intention much different from the phonograph invented by Edison which was to play and “reproduce the recorded sound… originally recorded onto a tinfoil”.  As per historical reference ( author unknown ), “The phonograph revolutionized the art of music. Performances were recorded and people could listen to them at their leisure.  It also made music and communication more public. The invention signaled the birth of a new form of entertainment and an entirely new field of business that fed the demand for the new invention, the music industry”- hence both inventions put an end to the masses' naiveté to the sense of hearing, and introduced the start of audio’s sensational future possibilities. When we fast forward through the history of music and sound, we could say that the underground rave music scene (which famously erupted somewhere in between Chicago and the UK during the late 80’s), had a lot of thanking to give the founding fathers of sound, more so Edison’s phonograph. It was the phonograph that gathered groups of people before a speake[...]
  • Savina Tarsitano is a visual artist born in Calabria, Italy. She enjoys traveling around the world, but her main interest is experiencing new cultures and countries while sharing her ideas and art across the world. Thanks to her artistic research, she obtained several fellowships and artist residencies. Her work has been selected for the Biennal of Venice, and exhibited in many countries.  Savina's work has also been published in several books and catalogues. She is a member of the European Cultural Parliament and Ambassador for the Rebirth project of Michelangelo Pistoletto and Cittadellarte. Savina, nice to meet you and welcome to Art for Progress. Please, tell us about your art. My art is focused on the idea of the landing, after different sojourns in theme- places like islands, abbeys, castles, military fortresses and so on. My works are made with different languages that represent embodied visions from the relationship with space, which in my representation is not only a real, but also an imaginary territory. During the period I, I developed three main projects: The Icons of the Chaos, Emotional Architecture and Creativity in Motion for Social Integration through Art and The Island You Want.  Through The Island You Want, I was investigating the character and the specific difference of island spaces and landscapes through which I developed an artistic theme.  This hermetic operation touches upon both nature, history and culture. My stays on the island of [...]
  • "Our doubt is our passion, and our passion is our task." Henry James' words are apt in describing the art-making process, and how it can explore uncertainness through introspection. In the process, the artist and viewer enter into an intangible, unpractical, and highly emotional place that is ultimately the most passionate because it allows them to explore the more ambiguous realms of the self. This is exactly the intent and effect of "I DREAMT," New York performance artist Nicholas' Gorham's recent production. In it, he lip syncs sound bites by Delia Derbyshire, a leading British electronic musician from the 1960s. He was utterly fascinated by their evocative beauty, and knew he would eventually incorporate them into a performance. The sound recordings are different voices describing a nightmare of being chased, and Nicholas switches from one character to another in a matter of seconds. This is achieved by having light projections of different outfits cast onto his body, which is the sole illuminated presence in a darkened room. Coupled with the haunting repetition of phrases, such as "I'm running away...running, and running, and running" in each of the different voices, the result is dark, painful, but incredibly engrossing especially if you have ever had nightmares. He plans to take this the exploration of the subconscious further in his upcoming Christmas theater production, also focusing on time, space, identity, and superficiality but with a stronger social co[...]
  • Art for Progress is proud to announce their upcoming production of Much Ado About Nothing. One of Shakespeare's most beloved comedies, Much Ado also takes a complex look at love, relationships and searching for "self," This production will use the classic language of Shakespeare in a modern setting - demonstrating the relevance of the writer's work in present day. This incredible show will also feature some of NYC's finest actors, comedians and public servants all on stage for a good cause. After production costs - all profits will go to Art for Progress's Education Program - helping young people tap into their artistic abilities. Soho Playhouse (15 Vandam Street), (212) 691-1555 SHOWS: Friday, May 29th - 8:00 pm Saturday, May 30th - 8:00 pm Sunday, May 31st - 7:00 pmFriday, June 5th - 8:00 pm Saturday, June 6th - 8:00 pm Sunday, June 7th - 7:00 pm To purchase tickets for $25 Director: Alexis Confer Producers: Frank Jackson (Art for Progress), Jennifer Park, Erin Marsz, Demetri Kofinas Stage Manager: Angelica Katz Cast: Erin Marsz, Jerrod Bogard, John Purdy, Kevin Bartini, Langston Belton, Clio Contogenis, David Shakopi, Sam Parrott, Eric Ryan Swanson, Ellen Cheney, Chablis Quarterman, Natalie Hoy, Matt Mykityshyn, Cecilia Faraut, Allison Guerra, Anders Adams, Kezia Tyson, Xiomara Rolon, and Conrad Cohen.  "Creative Culture Accelerating Social Change"
  • Gina Brillon is incredibly funny. Since jumping on the comedy scene at age 17, the Bronx native made appearances on Comedy Central’s “Live At The Gotham,” ABC’s “The View,” E!’s “Chelsea Lately” and comedian Gabriel Iglesias’ theatrical release, “The Fluffy Movie.” She’s also the first (and only) Latina winner of NBC’s “Stand Up for Diversity Showcase.” Discover more about her at GinaBrillon.com And, if you are in the Denver-area, Brillon will be performing at Denver Improv from March 19 to March 22, 2015. She’ll be doing a college tour in April, and then performing in San Antonio, Texas from May 27 to May 31, 2015! Click on link below to find out more about this comedic artist’s most prized fashion items after the jump. Jacqueline Colette Prosper, @yummicoco Red Shoes I have a pair of red BCBG shoes that I wore for my first hour-long comedy special [“Pacifically Speaking”] that are literally the perfect shade of red. They go with so many different dresses, I fell in love with them the minute I saw them. I knew they were going to be a hit, and everybody loves them when I wear them. They are super sexy, in a ‘not-over-doing-it kind of red.’ I’d say the color is more like an orange red. I love them. I would wear them with every outfit if I could. It’s not a chunky heel, it’s more slender—sort of like a stiletto, but a little asymmetrical in the design. The outside of the foot is covered and the inside has a dip where it shows a little more of the arch [...]
  • Opened in the summer of 2013, Garis & Hahn gallery is one of the newest exhibition spaces that has popped up along the Bowery in recent memory. The gallery's most recent undertaking, a group exhibition entitled “Notes on Undoing” features the work of eleven artists and was curated by Branka Benčić. It is the first survey of contemporary Croatian art that has occurred at the the gallery and brings together eleven different artists including: Eškinja, Vlatka Horvat, Igor Grubic, Tina Gverović, Zlatko Kopljar,Dino Zrnec, Marko Tadić,Damir Ocko,Hrvoje Slovenc,Viktor Popović and Ljiljana Mihaljević. A major theme that the show tackles is unraveling the way in which the viewer perceives the artist and the symbiotic relationship that is created when looking at work. These multiple perspectives are informed by the way in which each artist approaches the work and the conceptual projects they are engaging in. The press release for the show states, ”some show an interest in the experience of how the body or object relates to its environment.” As the title suggest, there is an element of this exhibition that is attempting undo the myth of the artist and the artistic process from various vantage points. This very sentiment is taken up in each of the pieces within the exhibition. The work in “Notes on Undoing” is diverse and spans the conceptually gambit ranging from sculpture to performance. The exhibition takes up the two floors of the gallery's space. On the first floor there [...]
  • Alan Lupiani has been a involved in the New York art scene since 1996.  In this time, he has built an impressive resume of exhibitions that he has participated in and curated himself. Lupiani, a graduate of Binghamton University, earning a BA Studio Art 1988, would go onto receive his MBA in Arts Administration from the same institution in 1991. While Lupiani is a trained painter, his most recent work questions the conceptual bonds between painting and performance based work. In 2007, he launched his own LIVE Internet show entitled, “Dear Immaculately Groomed Italian Guy.” The show was successful in that it attracted as many as 10,000 viewers per episode. Lupiani produced approximately fifteen live episodes. Each episode utilized a similar format: cooking dinner for a guest in his apartment, while taking Skype calls from a global audience base. He also presented previously recorded clips with his guest at various locations around New York City. Lupiani recruited the individuals he hosted through the “Gigs” section of Craig's List. These meetings via Craig's List created the vibe of chance intimacy which resulted in provocative, comedic interactions. Currently Lupiani “utilizes painting as a metaphor to deconstruct various “situations” which he discovers through the internet, pop culture, and his personal biography. This approach to painting involves picking words and images that Lupiani responds to on a daily basis. He then manipulates the images in Photoshop, prints [...]
  • Beth Fiedorek has been creating psychological narrative paintings and performance based work since 2007. Fiedorek who is a graduate of Yale, tackles issues surrounding everyday experiences while also commenting on "the improvement oriented culture" we live in within her art. Beth's introspective and insightful approach to the art making process adds a level of complexity to the work she is generating. Fiedorek who has lived in Brooklyn since 2012, has taken part in the Gowanus Open Studios as well as performing in festivals such as FIGMENT, which occurred this past June. I recently spoke with Fiedorek about her art making process, what some of the challenges she has faced as a working artist have been and her take on the Brooklyn arts scene. Something Invisible to Others, Oil on MDO board, 48" x 48". Image courtesy of Beth Fiedorek. Anni Irish: How did you get interested in art? Beth Fiedorek: I always liked making things, ever since I was really young. I have found that materials tend to speak to me, sometimes more so than people which can prove to be awkward. As I’ve gotten older, making art has become more about communicating and processing experiences. Figuration and materials carry symbolic energy that I try to use thoughtfully, highlighting strange moments I find intriguing. In painting, there are psychological narratives that emerge over time and it is not always something you can control. For me, the process and re-evaluation of materials are deeply [...]
  • In the fall of 2012, Nasrene Haj and Mila Pinigin formed the Creators Collective. At the time Haj and Pinigin, who had recently graduated from Sarah Lawrence College, were interested in creating a collaborative space in which other artistic individuals could come together to network, generate discussion and develop projects and events which challenged the status quo. In the two years since the Creators Collective was founded, Jeremie Gluckman joined the organization as Research Director while Haj has remained at the helm guiding the Creators Collective forward, always seeking out new and innovative ways to engage the arts on a micro and macro scale. I spoke with Haj who is the Director and Co-Founder of the Creators Collective, about what it is like being a working artist in Brooklyn today, what challenges she faced starting an organization, and what changes she has seen in the Brooklyn arts community having grown up here Anni Irish: How was the Creators Collective formed? And what was your intent for this organization? Nasrene Haj: I founded The Creators Collective with one of my best friends from college, Mila Pinigin. One evening, while studying abroad in Italy our junior year, we were having dinner and started throwing around ideas for projects we’d like to work on together. We thought about how amazing it would be to create a small collective in Brooklyn that would engage these various projects with other friends and community members. A few months after gradu[...]