Category archives: Visual Artist
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10 years ago
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Opened in the summer of 2013, Garis & Hahn gallery is one of the newest exhibition spaces that has popped up along the Bowery in recent memory. The gallery's most recent undertaking, a group exhibition entitled “Notes on Undoing” features the work of eleven artists and was curated by Branka Benčić. It is the first survey of contemporary Croatian art that has occurred at the the gallery and brings together eleven different artists including: Eškinja, Vlatka Horvat, Igor Grubic, Tina Gverović, Zlatko Kopljar,Dino Zrnec, Marko Tadić,Damir Ocko,Hrvoje Slovenc,Viktor Popović and Ljiljana Mihaljević.
A major theme that the show tackles is unraveling the way in which the viewer perceives the artist and the symbiotic relationship that is created when looking at work. These multiple perspectives are informed by the way in which each artist approaches the work and the conceptual projects they are engaging in. The press release for the show states, ”some show an interest in the experience of how the body or object relates to its environment.” As the title suggest, there is an element of this exhibition that is attempting undo the myth of the artist and the artistic process from various vantage points. This very sentiment is taken up in each of the pieces within the exhibition.
The work in “Notes on Undoing” is diverse and spans the conceptually gambit ranging from sculpture to performance. The exhibition takes up the two floors of the gallery's space. On the first floor there [...]
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10 years ago
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Chris Ofili has been producing paintings for the past two decades that have managed to captivate and bewilder audiences. A member of the Young British Artists-- a group of British artists who began exhibiting together in 1988, Ofili managed to distinguish himself from the rest early on. In “Chris Ofili: Night and Day” which on display at the New Museum through January 25 many works spanning his illustrious career are on display. The exhibition was organized by Massimiliano Gioni, the New Museum’s artistic director, its curator, Gary Carrion-Murayari; and assistant curator Margot Norton.
Ofili was Born in 1968, to Nigerian parents. At age eleven, he and his family moved back to Nigeria. Ofili went onto attend the Chelsea School of Art where he received his BFA in 1991 and then the Royal Academy of Art in 1993. It was these early experiences with living abroad and his art training, which would play an influence in the work he would create. In 2003, he was the recipient of the prestigious Turner Prize and also represented the United Kingdom in the Venice Biennale the same year. Much of Ofili's work deals with issues surrounding race, class and gender which is evident in the work featured in “Night and Day.”
The exhibition spans three floors of the New Museum's space and explores six distinct bodies of work that Oifli produced over the last twenty years. When you first enter the galley space, you are confronted by over seventy small framed paintings. These works entit[...]
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10 years ago
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New York City has an ever changing art landscape. With the countless shows that go up on a weekly basis there are many topics that are explored and a wide array of artists featured in them. One such show opening this week is Art for Progress's "Déjà vu." This exhibition will be on display from October 30th through November 12th with an opening reception being held on Thursday evening from 6-10 pm at NOoSPHERE Gallery.
Two of the the artists in the show, Essam and
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10 years ago
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Alan Lupiani has been a involved in the New York art scene since 1996. In this time, he has built an impressive resume of exhibitions that he has participated in and curated himself. Lupiani, a graduate of Binghamton University, earning a BA Studio Art 1988, would go onto receive his MBA in Arts Administration from the same institution in 1991. While Lupiani is a trained painter, his most recent work questions the conceptual bonds between painting and performance based work.
In 2007, he launched his own LIVE Internet show entitled, “Dear Immaculately Groomed Italian Guy.” The show was successful in that it attracted as many as 10,000 viewers per episode. Lupiani produced approximately fifteen live episodes. Each episode utilized a similar format: cooking dinner for a guest in his apartment, while taking Skype calls from a global audience base. He also presented previously recorded clips with his guest at various locations around New York City. Lupiani recruited the individuals he hosted through the “Gigs” section of Craig's List. These meetings via Craig's List created the vibe of chance intimacy which resulted in provocative, comedic interactions.
Currently Lupiani “utilizes painting as a metaphor to deconstruct various “situations” which he discovers through the internet, pop culture, and his personal biography. This approach to painting involves picking words and images that Lupiani responds to on a daily basis. He then manipulates the images in Photoshop, prints [...]
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10 years ago
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Art for Progress (AFP) is pleased to announce a group exhibition of new works by artists from New York City, Los Angeles, Spain and Israel. The show entitled “Déjà vu” will run from October 30th to November 12th, 2014 at NOoSPHERE Arts in New York City, and the opening reception will take place on October 30th from 6 to 10 PM.
The exhibition will include a variety of mediums, from painting to sculpture, which tackle the theme of déjà vu. The term can be described as “a feeling of having already experienced the present situation” or “a tedious familiarity.”It first appeared in a 1928 text entitled a Text for Psychology. Since then, the topic of déjà vu has been addressed from the big screen to Sci-Fi novels. It is a concept and sensation that has captivated audiences for generations and in this exhibit AFP hopes to push the boundaries of this.
For this show, the concept of déjà vu has been explored from several vantage points, from ideas of storytelling to an affective feeling. This exhibition is seeking to both comment on this topic and try to rethink the way in which it has been socioculturally situated. Déjà vu has come to occupy a very specific place within popular culture and this exhibition aims to build on that while also carving out new meaning for it.
Fourteen artists will be featured in the show: Rocco Alberico, Ted Barr, Bill Claps, Lance Dehne, Tony DiBella, Essam, gilf!, Diane LaRaja, Lichiban, Sona Mirzaei, Carol Nussbaum, Juan Manuel Pajares, Jeanne Wilkinson[...]
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10 years ago
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I recently saw “Ernest Cole Photographer” which is on display through December 6 at the Gray Art Gallery at New York University. This is the first solo exhibition of Cole's work in the US which was organized by the Gothenburg’s Hasselblad Foundation. The exhibition features 120 photograph which stem from his time working as a photojournalist in South Africa in the late 1950 and 60s.
Cole was born in 1940 in the township of Eersterust, Pretoria. Several years later his family was forced to relocate to Mamelodi as a result of the Group Areas Act of 1950. Growing up in a very politically charged time in South Africa greatly affected how Cole would come to view the world. Cole began taking photographs at a young age which would turn into a life long passion for him.
In 1958, Cole began working as a dark room assistant at DRUM Magazine, a publication geared towards black lifestyle located in Johannesburg. Working under the supervision of fellow photographer and artist Jürgen Schadeberg, Cole started to become politically active. During this time he met various artists, musicians and political leaders who were also fighting in the anti-apartheid movement. With Schandeberg's help, Cole enrolled in a correspondence course with the New York Institute of Photography. Cole would go onto to document the political situation in South Africa while working as a photojournalist for various newspapers. These photographs would become the basis of his 1967 book House of Bondage which w[...]
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10 years ago
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Beth Fiedorek has been creating psychological narrative paintings and performance based work since 2007. Fiedorek who is a graduate of Yale, tackles issues surrounding everyday experiences while also commenting on "the improvement oriented culture" we live in within her art. Beth's introspective and insightful approach to the art making process adds a level of complexity to the work she is generating. Fiedorek who has lived in Brooklyn since 2012, has taken part in the Gowanus Open Studios as well as performing in festivals such as FIGMENT, which occurred this past June.
I recently spoke with Fiedorek about her art making process, what some of the challenges she has faced as a working artist have been and her take on the Brooklyn arts scene.
Something Invisible to Others, Oil on MDO board, 48" x 48". Image courtesy of Beth Fiedorek.
Anni Irish: How did you get interested in art?
Beth Fiedorek: I always liked making things, ever since I was really young. I have found that materials tend to speak to me, sometimes more so than people which can prove to be awkward.
As I’ve gotten older, making art has become more about communicating and processing experiences. Figuration and materials carry symbolic energy that I try to use thoughtfully, highlighting strange moments I find intriguing. In painting, there are psychological narratives that emerge over time and it is not always something you can control. For me, the process and re-evaluation of materials are deeply [...]
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10 years ago
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In the fall of 2012, Nasrene Haj and Mila Pinigin formed the Creators Collective. At the time Haj and Pinigin, who had recently graduated from Sarah Lawrence College, were interested in creating a collaborative space in which other artistic individuals could come together to network, generate discussion and develop projects and events which challenged the status quo. In the two years since the Creators Collective was founded, Jeremie Gluckman joined the organization as Research Director while Haj has remained at the helm guiding the Creators Collective forward, always seeking out new and innovative ways to engage the arts on a micro and macro scale.
I spoke with Haj who is the Director and Co-Founder of the Creators Collective, about what it is like being a working artist in Brooklyn today, what challenges she faced starting an organization, and what changes she has seen in the Brooklyn arts community having grown up here
Anni Irish: How was the Creators Collective formed? And what was your intent for this organization?
Nasrene Haj: I founded The Creators Collective with one of my best friends from college, Mila Pinigin. One evening, while studying abroad in Italy our junior year, we were having dinner and started throwing around ideas for projects we’d like to work on together. We thought about how amazing it would be to create a small collective in Brooklyn that would engage these various projects with other friends and community members. A few months after gradu[...]
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10 years ago
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Recently I saw the Kara Walker installation “A Subtlety: The Marvelous Sugar Baby" which was on display at the former Domino Sugar Factory through July 6th. The event was organized by Creative Time, an arts based nonprofit that has commissioned various large scale public art projects with many artists within New York and internationally since 1974. The full title of the piece, “A Subtlety Or The Marvelous Sugar Baby an Homage to the unpaid and overworked Artisans who have refined sweet tastes from the cane fields to the Kitchens of the New World on the Occasion of the demolition of the Domino Sugar Refining Plant” has poetic undertones and underscores many of the complex issues that Walker is driving at within the installation.
On a recent weekend, I made the trek to Williamsburg to see Walker's installation. When I arrived at the Kent Street waterfront where the Domino Sugar factory is located, I was astounded by the amount of people in line. It extend down the street for almost an entire block. I took my place in the back of line with only my sunglasses to shield me from the hot summer sun and waited. As the line continued to grow, several volunteers for Creative Time emerged to help answer questions and to hand out releases to sign to enter the factory. The line progressed and soon I was in the factory.
When I entered the space, I was overcome by a smell—a pungent, sticky and sweet aroma that seemed to fill the factory. The overwhelming odor was present partly becau[...]
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10 years ago
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Within recent years, Brooklyn has become a place that many artists have flocked to. One such artist is Dianna Carlin, who has been active within the Brooklyn arts scene since 2000. Carlin who is better known as Lola Star, has become a local celebrity through her popular Lola Star's Dreamland Roller Disco. Dreamland Roller Disco first opened in 2010 and combined Carlin's love of rollerskating and the glamor of Coney Island for a wide audience to enjoy. However, the skating rink sadly closed in 2010.
After four years of searching for new location, Dreamland recently reopened in Prospect Park's Lakeside Rink. Each Friday Lola Star will host themed skating parties in the new location. This week's party will be based on the 1980 film "Xanadu” staring Olivia Newton-John, Gene Kelly and Michael Beck. With more dance parties on the horizon, Carlin is “excited” to have Dreamland up and running again. The skate parties are scheduled to go through the end of August but Carlin hopes to offer more parties in fall and winter months.
I recently spoke with Carlin about how she got the name Lola Star, how she has adapted to the changing face of Brooklyn and what role community activism has played within her work. Carlin got the nickname because, “I use to skate around my parent's basement listening to Barry Manilow's 'Copacabana' on repeat and dreamed of being a rollerskating star. My parents would yell downstairs 'What are you doing down there Lola?'” This was in reference to the [...]
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