Category archives: Events
-
-
-
6 years ago
-
Art for Progress Summer Arts Program 2018
Art for Progress (AFP) is pleased to announce The Pierre & Tana Matisse Foundation has awarded the organization a three year grant in support of its Summer Arts Program. After a highly successful launch of the program in 2018, the foundation requested a multi year proposal to support the program which was recently granted in May.
Art for Progress will receive $52,500 to fund the program through 2021. The program was developed with the purpose of providing instruction in both music and visual arts over the summer months for students and young adults who are interested in careers in art and music. Although the focus is to provide instruction, knowledge and insight for career oriented students, the program is open to anyone interested (ages 13-24). Some of the key objectives of the program include:
providing a challenging curriculum while giving students the opportunity to choose and learn skills they desirepresenting professional, engaging artists to speak to attendees about the challenges of choosing a career in artssharing information and knowledge that's typically not offered in formal school programs such as "Key Tenets for the Professional Artist."providing teaching opportunities for students who are interested in education careers
The workshops will take place on four consecutive Sundays beginning July 14th (July 21st, July 28th, August 4th) from 10:30am-4:30pm. There is no cost for students and lunch wil[...]
-
-
-
-
6 years ago
-
Art for Progress (AFP) is thrilled and honored to present a night of empowering original music, created for a special evening to benefit AFP’s art education programs. Music for Progress will take place on Friday November 30th at NYC’s quintessential listening room, Rockwood Music Hall (stage 2) and feature psychedelic world-jam group Toubab Krewe, Brooklyn power trio Bad Faces, and 3Bridge Records and Flemcy Music recording artist and DJ, Gatto. Get your tickets [HERE]
Blending American and West African influences into a sound all its own, Toubab Krewe has set "a new standard for fusions of rock 'n' roll and West African music" (Afro pop Worldwide). Since forming in 2005, the magnetic Asheville, NC based quintet has won a diverse and devoted following while performing everywhere from Bonnaroo to the Festival of the Desert in Essakane, Mali. Mixing American rock with the musical traditions the band fell in love with on their travels to Africa, their sound also nods to surf and zydeco. This fusion of sound is what the Village Voice describes as "a futuristic, psychedelic, neo-griot frenzy" and Honest Tune hails as "one of the most innovative voices in music today."
Bad Faces are a Brooklyn power trio as deeply rooted in American traditional music as they are reaching for new stratospheric heights in their improvisational explorations. Led by singer/guitarist Barry Komitor, a fixture in New York's vibrant folk and bluegrass scene, the group has amassed a strong local foll[...]
-
-
-
-
6 years ago
-
This summer, thanks to a grant from the Matisse Foundation, I had the great pleasure of teaching the music portion of the Art for Progress Summer Arts & Music Program for high school students and young adults interested in pursuing creative careers. Consisting of series of four workshops held on Sunday mornings during July and August at the Clemente Soto Velez Cultural and Educational Center, the program was designed to explore the many real-world considerations inherent to careers in the arts and music. The focus was to look at some of the dynamics at play in the music and art worlds, and to provide support in the development of specific skills in the various media. Each week, a professional working in the arts was invited as a guest speaker and to host a short discussion. The speakers were happy to answer questions and were very informative and animated as they enlightened the group about the day-to-day life of a working artist. Everyone seemed to have a great time and to get a better sense of how to approach their work professionally going forward. On a personal note…I had the fantastic opportunity to study visual art in Paris while in college, and later jazz theory and improvisation, so it was auspicious to me to be able to work with the foundation representing French painter Henri Matisse, a personal favorite and early influence. Matisse was known to love American jazz music, and that added to my special sense of personal investment in this project. We at AFP are[...]
-
-
-
-
6 years ago
-
Humanities Preparatory Academy, our flagship music education program, suffered a budget cut of $130,000 this year. As a result, they have to eliminate half of the music classes AFP has been providing for the past 6 years. The school is located in Chelsea, but it’s mostly attended by students from under-served communities in Harlem and the Lower East Side. AFP’s music program is the only music program at the school. With each year, there are more students that want to take music classes than we can accommodate.
As we've seen time and again, music and art classes are the first to go when cuts like this happen. Our goal is to raise $10,000 to supplement the budget and fund the program for the upcoming school year. If we can raise the necessary funds, we can continue to serve as many kids as possible and maintain the vital music and arts presence that has become a signature of the school's culture. Our mission is to provide creative arts programs for all New York City public school students. Every child should have the opportunity to learn creative skills and problem solving.
Please make a donation right now to help us fulfill our mission. We have some exciting gifts that we're offering to exceptional contributors as an added incentive, including artwork and private music performances and lessons. Thank you in advance for your help!
Please watch this short video from AFP's Director, Frank Jackson and Educator, Barry Komitor.
Take a look at the suggested donation le[...]
-
-
-
-
6 years ago
-
It was the industrial revolution that first attempted to record sound “as a medium for preservation," activating the phenomena of noise as an integral source when documenting history. Thomas Edison received notoriety for the phonograph in 1877, but it was really Edouard-Lèon Scott de Martinsville who invented the phonautograph in 1857, the first recording device. The device was specifically created to study frequency found in sounds, an intention much different from the phonograph invented by Edison which was to play and “reproduce the recorded sound… originally recorded onto a tinfoil”. As per historical reference ( author unknown ), “The phonograph revolutionized the art of music. Performances were recorded and people could listen to them at their leisure. It also made music and communication more public. The invention signaled the birth of a new form of entertainment and an entirely new field of business that fed the demand for the new invention, the music industry”- hence both inventions put an end to the masses' naiveté to the sense of hearing, and introduced the start of audio’s sensational future possibilities.
When we fast forward through the history of music and sound, we could say that the underground rave music scene (which famously erupted somewhere in between Chicago and the UK during the late 80’s), had a lot of thanking to give the founding fathers of sound, more so Edison’s phonograph. It was the phonograph that gathered groups of people before a speake[...]
-
-
-
-
7 years ago
-
It never ceases to amaze me. The abundance of extraordinary talent in the NYC music scene is obvious to anyone who seeks to experience it. Yet, so many people talk as if the scene is terrible and how difficult it is to find quality music at the venues in NYC. I will admit, the Bleeker Street music clubs do leave much to be desired, but one venue, le possion rouge, is certainly doing it the right way. LPR has made a name by bringing in experimental, eclectic and alternative artists over the past 10 years, and this past Saturday night was no exception.
Yonatan Gat performed in support of his new album, "Universalists" which was recently released on Joyful Noise Recordings. He played three different sets, and we were fortunate to catch the last two which were truly epic. The long transplanted New Yorker showed off his masterful guitar skills, (The Village Voice named him "Best Guitarist in New York, 2013.") shredding through an eclectic mix of ethnic sounds with merely a vocal, but it didn't discourage fans in attendance as they marveled at his guitar playing skills. I was also impressed with his band as they were on point throughout the set, and as the sound changed, their energy was consistent and at a high level throughout. Gat's sound is clearly focused on guitar, but I couldn't help but watch his drummer relentlessly pounding on the skins and his evident passion for the music. This brings to mind the most anticipated part of the evening for me and apparently man[...]
-
-
-
-
7 years ago
-
Dear Artem, welcome to Art For Progress. You are a New York City based artist. Please tell us about your work.
Hi Nerea, yes as you describe, I am a New York based artist, curator and entrepreneur. My imagination allows me to create a new world within each frame while drawing connections with different cultures and to my own heritage. History and mythology play a large role in influencing my work, often igniting the creative process. I am fascinated about mythology, and I am a space time voyager at heart. Traveling is also one of my biggest catalysts for art. I have traveled extensively, experiencing diverse culture, spirit, architecture and ways of life, which helped me to shape my perception and artistic vision of the world. A sketchbook always accompanies me on my journeys. When words alone cannot describe what I envisions in my mind, I just draw...
What inspires you to create such awesome paintings and landscapes?
I absorb everything around myself and filter it through my "art filter." Books, music, architecture, friends, strangers, other artists, travel, relationships, etc inspires me to create my own world of landscapes and adventures.
I love depictions of ancient civilizations, philosophy, present society, and the exploration of " the nature of man.”
As I have mentioned, I draw a lot of inspiration from my readings. History and mythology play a large role in influencing my work, often igniting the creative process. I am fascinated by how the tw[...]
-
-
-
-
7 years ago
-
Pedro, welcome to AFP, we are pleased to have you here. Please tell us when you started playing and producing electronic music? Tell us about your first project.
I started experimenting with audio edition software when I was 16. At first, my intention was only pure distraction and fun. Before, I used to listen to lot of music, not only electronic music but also good rare versions of everything that you can imagine. I have a brother who is a music lover. I was also an amateur guitar player in a band.
It's my understanding that you've produced music under different artistic names and musical projects in the past? This was before your personal projects, correct?
When I was 22, I started to mix music using the name Pettre and was using it for many years. I published a track on Hivern Discs with John Talabot and Pional. Afterwards, with my project duo called Aster, I have worked for years at Hivern Discs and also at the famous label Mathematic Recordings, based in Chicago. With my recent project Pedro Vian and also with the Aster duo, I've had a presence in important festivals such as Sonar and Primavera Sound.
How do you define your style?
It is impossible to me to categorize it in a single style, because it is a mixture of many. Basically, I don't know how to define it. The experimentation is predominant; many times I feel myself with a foot on the dance floor while the other foot is in the spiritual and ambient side.
https://soundcloud.com/pedro-vian
[...]
-
-
-
-
7 years ago
-
We'll be back on the rooftop in Greenpoint at Mothership NYC for now what's become an annual gathering of artists, friends and of course great art & music. We have a stellar line-up this year with many musicians and performers we've worked with in the past.
Check back for updates, artist links and details in the coming weeks. Summer is here and there's nothing better than a good rooftop party in NYC.
-
-
-
-
8 years ago
-
Documentary lovers, take note! The seventh edition of DOC NYC, America’s largest nonfiction film festival, begins this week, with screenings at Manhattan's IFC Center, SVA Theatre and Cinepolis Chelsea. The 2016 festival, which runs from Thursday, Nov. 10, to Thursday, Nov. 17, boasts over 250 films and events overall, including 110 feature-length documentaries. Included are 18 world premieres and 19 U.S. premieres, with more than 300 filmmakers and special guests on hand to present and discuss their films. Notable documentarians will be honored at the Visionaries Tribute Awards on Nov. 10, including Jonathan Demme and Stanley Nelson, who are receiving Lifetime Achievement Awards.
Opening Night film will be Citizen Jane: Battle for the City, directed by Matt Tyrnauer, about writer and activist Jane Jacobs and her fight against NYC’s most ruthless power broker, Robert Moses. Closing Night film will be Chasing Trane: The John Coltrane Documentary, directed by John Scheinfeld. In between the two is a dazzling variety of docs divided into several categories: Viewfinders Competition (directorial visions), Metropolis Competition (NYC), American Perspectives, International Perspectives, Fight the Power (activism), Jock Docs (sports), Sonic Cinema (music), Modern Family (unconventional clans), Wild Life (animals), Docs Redux (classics), Art & Design (artists), Behind the Scenes (filmmaking), DOC NYC U (student work), Shorts, plus two new sections, True Crime and Science Nonf[...]
-
-
-
-
8 years ago
-
With the weather forecast calling for temperatures in the upper 90's on Friday, we did our best to prepare for an all day event in the sweltering NYC summer heat. But upon entering the venue, it was clear that the organizers of the Panorama Festival planned appropriately for our day. With many free water kiosks, tents and air conditioned art & music areas, it was easy to cool down if you were feeling overwhelmed by the oppressive heat.
And although it's not so easy to get to Randall's Island, our timing was very good, and as we walked in Here We Go Magic was just starting to play in the huge tent to the north side of the venue. I was happy to finally here the band live. Some years ago I interviewed Luke Temple, but lost touch with the band's more recent happenings. They had a decent crowd for the early part of the day, and although they apologized for some technical difficulties, we were impressed with their set.
As we made our way over to the main stage, we could hear Algier's set was already in full swing. Algier's set was only 30 minutes, but their powerful, dark soulful sound was evident throughout. While listening we were able to cool down over at the American Express spot. We snapped together some complimentary sunglasses and enjoyed some refreshments for a bit before heading back to the pavilion to hear Preservation Hall Jazz Band. A rather large, enthusiastic crowd was now gathered and grooving to some of the best New Orleans style jazz you can fi[...]
-
-
-
-
9 years ago
-
I’ll never forget when Wesley Nessler walking into my 9th grade class at Ft. Lauderdale High wearing checkerboard slip on shoes. I remember thinking to myself, what in the world is this kid wearing? Well, I didn’t hesitate to ask, and quickly found out that these trend setting kicks were Vans. It’s now decades later, and it would be hard to find someone who doesn’t know those shoes and that design, and as I walked through the door at the Vans’ 50th Anniversary celebration Wednesday evening, I was not surprised to find that checkerboard design in full effect.
From the super cool 3D art installations, iconic surf films and classic photography exhibit, it became quite clear that Vans has been a huge influence in American lifestyle, culture, art and sport for a very long time. Furthermore, Vans has become a cultural pillar that stands alone in its broad range of influence. It would only be fitting for the company to tie this historic evening together with diverse music performances that also span across many generations.
The modern day rockers Yeasayer kicked things off with a an impressive set of hits and newer jams, while New York hip hop legend Nas brought the roof down with classics and some newer cuts. The energy level in the room was off the charts at this point as the night was beginning to wind down.
It was great to see so many smiling faces in the huge crowd of both young and older guests. They experienced a special evening that will be remembered for a [...]
-
