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9 years ago
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Art for Progress’ after school music enrichment program at Hudson High School for Learning Technologies was especially inspiring this spring semester because of a dynamic group of multi-talented, and eager students. The program was reinstated this spring thanks to the efforts of principal Nancy Amling. The program had been inactive for the fall semester because a lack of funding, Ms. Amling was influenced in her decision to restart the program by an exceptional young student and musician named Terelle. Terelle’s enthusiasm and hunger for new knowledge were the ultimate catalyst for the formation of the program.
Tarelle wanted to learn about how music works beyond the shapes he was learning on the guitar. Hudson HS currently offers a beginning guitar class as a part of the school’s regular curriculum. The class is focused on the mechanics of playing the instrument, but like most beginning guitar classes, it did not address the underlying music theory necessary for students who to build their skills beyond the basic guitar vocabulary.
The group of students that comprise the AFP after school program at Hudson range from 9th-12th graders, and are led by Terelle. He expressed a desire to learn some more universal musical concepts in order to set up a foundation upon which to develop their musicality. They were made up of aspiring singers, guitarists, pianists, and bass players of varying levels of experience. We explored the construction of scales, chord building and common[...]
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9 years ago
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While you wait for that new Taylor Swift album which is surely in the works given the artist’s recent break-up, here are a few songs to enjoy in the warm weather. No matter whether it’s more #endlesssummer or more endless bummer...
1. Stabwounds’ “Fragile Boy”
Don’t let their name fool you. Despite the fact that their name makes them sound like a metalcore band, Stabwounds is more indie folk than -core. Together, bandmates Emma March Barash and Amanda Brooklyn form what they call “the sexually charged reincarnation of Simon and Garfunkel”. The duo crafts soft harmonies that drift likes breezes about heartache and relationships. Layered atop acoustic guitar or occasionally unaccompanied, they’re an easy listen. If you missed the chance to see the band live at their recent Pianos gig, they’ll be playing an upcoming show at The Manhattan Inn in Brooklyn on July 11th!
2. Modern Baseball’s “Wedding Singer”
Although both Brendan Lukens and Jake Ewald share the duty of primary vocalist in Modern Baseball, this single off their new record Holy Ghost features Ewald alone and perhaps at his best. The video features a pink haired hearse driver (think a younger Kate Winslet in Eternal Sunshine of a Spotless Mind) coming to the rescue of a frantic young man, pacing the gates of a cemetery. The two drive around in the modified cadillac, eventually roller skating and karaoking. It’s like a four minute rom-com complete with all the will-they, won’t-they meaningful eye contact yo[...]
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The question of safety at shows gets rehashed at least once a year. Usually around festival season when there's a surplus of concerts, all the top outlets, popular musicians, and related voices chime in as to what they think this means. Factors and examples of good, bad, and ugly behavior are paraded out and readers are asked rhetorically: What do we think about moshing? Is stage diving safe? What about selfie sticks? Should we allow "all ages" shows? Some of these concepts and actions are labeled as questionable or unsafe only for the spirit of debate; however, some raise valid issues. A selfie stick in a thick crowd does have the potential to hurt someone. Or at least really tick off the people behind the user enough to insight a tiny riot.
Most of these concerns, like age restrictions, have the best intentions (eg, the well being of underage listeners) at heart. Warped Tour has intermittently tried to ban moshing, citing the likelihood of injury and a resulting lawsuit. Organizers understand that such behavior is integral to Warped culture, but ultimately take a sort of "this is for you own good" stance. This attitude has become somewhat controversial due to the lack of consensus, amongst members of both the bands and the crowd, on whether Warped has the right to make that decision. Some want to learn to avoid a -core pit the hard way and don't mind chipping a tooth in the process. Others want to be cautioned, but not restricted and given the option to participate i[...]
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The House of Vans sounds more like a lesser family in HBO’s Game of Thrones than a concert venue. At least in Brooklyn. Here, the famed shoe manufacturer is better known for its clothing than its concert space. Vans shoes, snapbacks, backpacks and hoodies can easily be found in just about any corner of the borough, but mention the House of Vans to a passerby and you’re likely to be met with confusion. Other venues like Irving Plaza, Terminal 5, and MSG have risen to the level of the common vernacular, amongst concertgoers and non-concertgoers alike; odds are even your landlord has heard of those. While the House of Vans doesn’t toil away at the level of obscurity of say Cake Shop or Palisades, the name doesn’t carry the weight it normally does. Out on the wider concert circuit, Vans rules supreme as sponsors of the famed Warped Tour. Here, it is just lesser known and that is a mistake.*
Hidden in the far reaches of Greenpoint, tucked up against the water, the venue boosts both an indoor and outdoor stage area, a bar, and enough ramps to qualify it as a skatepark. It’s an incredibly versatile space. Problem is that in order to have that much space in this city you have to be somewhere where there is still space to be had. You need to be able to gather hundreds of people on any given night and be loud until all hours of the morning. You need to be able to pull amps and all manner of equipment through the doors. Most importantly, you need to be able to afford the rent.
Ove[...]
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In part 1 of this series, we looked at a video that showcased an artist as a role model, another that shed light on the creative process of an up-and-coming band, and a third that brought international superstars back to their old digs to be humbled by their beginnings. For this installment, we’re going to revisit the political music video with TARICA's “But, Anyway” as well as examine the success of the web series with a look at NPR’s Tiny Desk.
Tarica's “But, Anyway”
Suzanne Vega's "Tom's Diner" has been sampled, remixed, covered and served up in countless fashions. Over the years everyone from Aaliyah to Britney Spears to Fall Out Boy to R.E.M have tried their hand at the 1987 classic, always placing the songs unmistakable “duh duh duh duduh, duh duh duduh” at the forefront of their efforts. Most recently, D.C. rapper Tarica June included the interlude in her song “But, Anyway.” In the song rather than recounting the patrons of a local cafe as Vega did decades before, June discusses the gentrification of her home town. With personal, frank and adept lines like, “But anyway, this is third generation for me / My parents and my grandparents all from DC / So I feel like I notice things other folks can't see / And like I represent things other folks can't be”, June makes her point without so much as raising her voice. Her approach, unlike many others, is one of hope and positivity with the song's chorus opening with, “But anyway I can go on forever about all of the bul[...]
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9 years ago
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Montreal based experimental pop/rock band Braids are set to release the follow up to the critically acclaimed album, Deep in the Iris on May 20th. The four songs for the EP were recorded in August 2015 shortly after the band completed work on Deep in the Iris, but we're surely not talking about B sides here.
With Companion, the band continues with a similar minimalist approach musically, but as you listen to the title track which begins by deeply focusing on the beautiful soaring vocals of Standell-Preston, the tension builds as the synthesizer takes a growing, more profound role in the track. The vocals and music provide a fantastic balance of emotion in the build up, and as the song begins to fade out with a delicate piano, a whispering vocal joins in, "Remember when I pushed you in, you were surprised that you floated."
The second track, Joni, takes a more powerful, upbeat approach with its booming, break-beat musical structure. Lyrically, the song addresses dealing with life's uncertainties and the personal challenges that come with it. On the other hand, Trophies for Paradox gets back to the common topic of relationships and all the complexities that go with it. The music composition is also more complex with added guitar elements in the mix. Perhaps, my favorite song on the EP is Sweet World.
The composition of the track provides a pure energy rush as it unfolds with a driving style not found with the other songs on the EP. Overall, this is a very strong re[...]
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9 years ago
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At The James Baldwin School in Chelsea, AFP's program is in its 3rd year, offering after school digital audio production, musical instrument instruction and performance coaching. Students range from 9th to 12th grade and come to the program with a variety of individual goals in mind. The sessions vary, and participants usually work individually or in small groups.
The class combines a combination of elements which are often going on simultaneously. One group may be learning how to sequence beats to a metronome track on one computer, while another student is involved in the more advanced stages of a fully fleshed out track on the next. At the same time a vocal duo may be working out harmonies to a rock ballad, while others are learning how to build scales and chords on the piano. In all cases, the fundamentals of music making are uncovered and explored. The focus is always on building a working musical vocabulary and developing the ability to use music for self-expression.
This year at Baldwin I have seen remarkable progress on every front. Beat-makers have progressed from struggling at playing simple kick and snare patterns, to building complete tracks and having their friends rap over them. Drummers who had never played a drum-set maintain a groove behind a full band. I’m especially impressed with Reshwan and Katana who had never met before. Within a few short months they have become a powerful cohesive duet act eagerly learning the theory to support their development[...]
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In a recent interview with Nylon, indie artist Mitski spoke on the potential musicians have to be representatives and role models to listeners, especially the younger ones in the internet age, saying: “...it’s so valuable that kids confused about their identity can go out and be like, ‘I’m going to Google search this’ or ‘I want to look for other people like me.’ If they look hard enough they can find those communities online..." Anyone googling Mitski at the moment will quickly be directed towards her most recent single, “Your Best American Girl” and it’s accompanying video.
Mitski’s “Your Best American Girl”
In the video, directed by Zia Anger, Mitski is contrasted with the stereotypical indie girl, who enters stage left in a flower crown and press-on tattoos to steal the video's love interest away. It's a timely comparison given that this year's Coachella, a festival known for it's outlandish and occasionally culturally insensitive outfits, is only just behind us. The video also comes at a time at which musicians are using their videos to communicate messages about identity, self-respect, and self-acceptance. Think: Beyonce and the anthem that is "Formation." Even though the temptress wins "the All-American boy" as Mitski calls him in this video, her spirits aren't so easily dampened. After some reflection, Mitski returns renewed and with a smirk shreds her guitar, as if to say 'Sure, I lost the guy, but I also sold out the Bowery Ballroom in June and wrote an ama[...]
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9 years ago
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I’ll never forget when Wesley Nessler walking into my 9th grade class at Ft. Lauderdale High wearing checkerboard slip on shoes. I remember thinking to myself, what in the world is this kid wearing? Well, I didn’t hesitate to ask, and quickly found out that these trend setting kicks were Vans. It’s now decades later, and it would be hard to find someone who doesn’t know those shoes and that design, and as I walked through the door at the Vans’ 50th Anniversary celebration Wednesday evening, I was not surprised to find that checkerboard design in full effect.
From the super cool 3D art installations, iconic surf films and classic photography exhibit, it became quite clear that Vans has been a huge influence in American lifestyle, culture, art and sport for a very long time. Furthermore, Vans has become a cultural pillar that stands alone in its broad range of influence. It would only be fitting for the company to tie this historic evening together with diverse music performances that also span across many generations.
The modern day rockers Yeasayer kicked things off with a an impressive set of hits and newer jams, while New York hip hop legend Nas brought the roof down with classics and some newer cuts. The energy level in the room was off the charts at this point as the night was beginning to wind down.
It was great to see so many smiling faces in the huge crowd of both young and older guests. They experienced a special evening that will be remembered for a [...]
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9 years ago
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2016 is shaping up to be an interesting year for music. Kanye continues to tweet utter nonsense, the new Adele is still climbing the charts, Kendrick Lamar pulled a Beyonce and released a new album out of nowhere. A quarter of the way through and the year is already a mixed bag. Here are some highlights from the past month to ponder as we enter the warm months and festival season.
The Good:
The Foo Fighters, helmed by the nicest-guy-in-rock-and-roll Dave Grohl, are easily one of the best liked bands in the business. From playing surprise shows to playing through bodily injuries, the band wins hearts with pretty much everything they do. Even their foray into television, the HBO documentary series called Sonic Highways that focused on the evolution of American music, was well received and granted a second season. It seemed like the grandeur that is the Foo Fighters would go on everlong. That is until the band’s drummer Taylor Hawkins, during an interview at the Guitar Center Drum-Off, said when asked about the future of the band, “We’re on ihateus right now, we’re on an indefinite ihateus.”
The mention of an ihateus (hiatus) sent fans scrambling. What did he mean ‘hiatus’? Sure, Grohl had appeared sans-band and played what could sort of be considered solo shows, namely a rendition of “Blackbird” at 2016 Oscars, but was that really enough to topple such a successful and beloved band? Was Hawkins serious? Did being the drummer for a guy known as “the drummer from N[...]
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Just before the release of their new record, Syracuse's synth popper’s Ra Ra Riot played a stripped down show at Brooklyn’s Rough Trade. Vocalist Wes Miles, guitarist Milo Bonacci, bassist Mathieu Santos, violinist Rebecca Zeller, and drummer Kenny Bernard joined the audience on the floor of the venue, standing maybe a foot from the front row. The band formed a haphazard circle of mic stands and instruments. In that formation they looked more like a handful of buskers than a band. It was an excellent setting for the soft vocals and synth-soaked songs of the new Ra Ra Riot.
The show was part of a Rough Trade sort of bundle sale. Copies of the band’s album, Need Your Light, that were sold at the record store/venue came with two wristbands. The wristbands allowed wearers to not only get into the in-house show, but also to have their copies signed by the band afterwards. The gig was otherwise closed to the public and a great way to see the band in such a small setting before they come back to New York to play Webster Hall in March. This kind of show has become something of a staple on the Rough Trade schedule. Artists like Odesza, Kendrick Lamar as well as Yelawolf have all done similar in-store performances paired with signings to help promote new releases. Next month, Santigold will hold one of her own for her new album 99 Cents.
Ra Ra Riot’s evening performance preceded both the release of their record and the band’s tour with Sun Club and everyone’s new favorite[...]
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Enter Ziggy Stardust.
Bowie’s beloved persona began with the release of 1972’s The Rise and Fall of Ziggy Stardust and the Spiders from Mars. Stardust starred as the record’s fictional alien rock star who arrived on Earth just as it received the news that the world would end in five years. In the album’s opening track, which is aptly titled “Five Years”, Stardust laments about the planet’s fate while walking amongst it’s doomed species. He resembled them in shape, but is extreme in all other aspects. He had wild hair, outlandish outfits, and an overall zeal that made him an eccentric, especially compared to the cop, soldier, priest, mother and newscaster that populate the rest of the song.
In a 1974 interview with “Beat Godfather” William S. Burroughs, Bowie described the scene:
...It has been announced that the world will end because of lack of natural resources. [The album was released three years ago.] Ziggy is in a position where all the kids have access to things that they thought they wanted. The older people have lost all touch with reality and the kids are left on their own to plunder anything. Ziggy was in a rock & roll band and the kids no longer want rock & roll. There's no electricity to play it. Ziggy's adviser tells him to collect news and sing it, 'cause there is no news. So Ziggy does this and there is terrible news. "All the Young Dudes" is a song about this news. It is no hymn to the youth as people thought. It is completely the opposite[...]
