Category archives: New York
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10 years ago
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There's have been so many good electronic- and dance-music releases coming out lately that our heads are spinning…but we've conquered our vertigo enough that we can tell you about two of our favorite recent releases. As an added bonus, both of them have a strong Gotham component - go, home team!—Bruce Tantum
New York Endless
Strategies EP
(Golf Channel Recordings)
“Scale Those Heights,” off the debut EP from New York Endless, is bedecked with the following ornamentation: a metronomic, tick-tocking rhythm; percolating, cascading synths; a spare, haunting melody and, when a four-chord keyboard pattern kicks in around the three-minute mark, a quietly triumphant ambiance. In short, it’s a gorgeous tune that’s not far removed from the work of Kraftwerk, especially the often-meditative, flowing music the German quartet produced for mid-period albums such as ’77's Trans-Europe Express and ’78's The Man-Machine—and for Dan Selzer, the man behind New York Endless, that likely would be the ultimate tribute. Selzer, a veteran DJ and longtime underground presence (he runs the postpunk/new-wave–oriented label Acute Records, among many other claims to fame), doesn’t keep his love of Kraftwerk, and specifically, the combo's “Europe Endless,” a secret, and the shimmering aesthetic of that song and that album runs strong on this EP.
Which is not to say that Selzer has made a slavish, gently cosmic Kraftwerk copy here. “Scale Those Heights” is a full-bodied and muscular work, closer[...]
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10 years ago
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Art for Progress (AFP) is pleased to announce a group exhibition of new works by artists from New York City, Los Angeles, Spain and Israel. The show entitled “Déjà vu” will run from October 30th to November 12th, 2014 at NOoSPHERE Arts in New York City, and the opening reception will take place on October 30th from 6 to 10 PM.
The exhibition will include a variety of mediums, from painting to sculpture, which tackle the theme of déjà vu. The term can be described as “a feeling of having already experienced the present situation” or “a tedious familiarity.”It first appeared in a 1928 text entitled a Text for Psychology. Since then, the topic of déjà vu has been addressed from the big screen to Sci-Fi novels. It is a concept and sensation that has captivated audiences for generations and in this exhibit AFP hopes to push the boundaries of this.
For this show, the concept of déjà vu has been explored from several vantage points, from ideas of storytelling to an affective feeling. This exhibition is seeking to both comment on this topic and try to rethink the way in which it has been socioculturally situated. Déjà vu has come to occupy a very specific place within popular culture and this exhibition aims to build on that while also carving out new meaning for it.
Fourteen artists will be featured in the show: Rocco Alberico, Ted Barr, Bill Claps, Lance Dehne, Tony DiBella, Essam, gilf!, Diane LaRaja, Lichiban, Sona Mirzaei, Carol Nussbaum, Juan Manuel Pajares, Jeanne Wilkinson[...]
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10 years ago
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The Soho Grand Hotel was the place to be for art enthusiasts on Wednesday September 10th as New York's fashion week kicked off. Known as a feminist artist and yarn bomber, Olek's latest show, "Reality What a Concept" opened to rave reviews. The show, curated by the uncompromising Natalie Kates, included performance pieces in addition to the crocheted playground created by Olek.
Olek's work will be featured at the hotel through the end of the year. The show is part of a year long curatorial series by Natalie Kates which includes an upcoming exhibition by artist Ron English.
- Frank Jackson
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10 years ago
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I recently saw “Ernest Cole Photographer” which is on display through December 6 at the Gray Art Gallery at New York University. This is the first solo exhibition of Cole's work in the US which was organized by the Gothenburg’s Hasselblad Foundation. The exhibition features 120 photograph which stem from his time working as a photojournalist in South Africa in the late 1950 and 60s.
Cole was born in 1940 in the township of Eersterust, Pretoria. Several years later his family was forced to relocate to Mamelodi as a result of the Group Areas Act of 1950. Growing up in a very politically charged time in South Africa greatly affected how Cole would come to view the world. Cole began taking photographs at a young age which would turn into a life long passion for him.
In 1958, Cole began working as a dark room assistant at DRUM Magazine, a publication geared towards black lifestyle located in Johannesburg. Working under the supervision of fellow photographer and artist Jürgen Schadeberg, Cole started to become politically active. During this time he met various artists, musicians and political leaders who were also fighting in the anti-apartheid movement. With Schandeberg's help, Cole enrolled in a correspondence course with the New York Institute of Photography. Cole would go onto to document the political situation in South Africa while working as a photojournalist for various newspapers. These photographs would become the basis of his 1967 book House of Bondage which w[...]
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10 years ago
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Strictly Rhythm. Nervous. Emotive. These seminal New York labels, along with a handful of others, evoke a time in the late ’80s and early ’90s when the local variant of house music, one that combined depth, emotion and soul with the raw rhythms that had been coming out of Chicago, took form. But there was one other local label that was equally influential—and it wasn’t even based within the five boroughs. Its name was Movin’ Records, a label (and record shop) led by Abigail Adams and based in East Orange, New Jersey.
Between 1987 and 1995, Movin’ released some of the most beloved songs of the era—Phase II’s stone-cold classic “Reachin’" among them—and its lineup of vocalists and producers and included such notables as Kerri Chandler, Kenny Bobien, DJ Pierre, Ce Ce Rogers, Blaze’s Kevin Hedge and Josh Milan, Ace Mungin and Tony Humphries. That last name is key: A symbiotic relationship formed between the club that Humphries deejayed at, Club Zanzibar in nearby Newark, and Movin.' Though they were both just a few miles west of Manhattan, the Movin’-Zanzibar affiliation resulted in a sound with a different feel than what was going down in Gotham, a feel that amped up the gospel- and R&B–tinged passion beyond what the big city had to offer. It’s a style of house generally referred to as the Jersey Sound—and its effects can still be felt on the club music of today. I recently had the pleasure of speaking with the gracious and friendly Adams, her love of the music still shin[...]
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10 years ago
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AFP Arts Education Program had a great summer this year and we look forward to the start of the new school year! The summer music program wrapped up with a great session that included recording a new song, learning more about the recording and mixing process, and vocal instruction. As I mentioned in my last post, each participant was asked to choose a song to work on learning to sing. The selections were very interesting and varied, and we had a lot of fun working them out. AFP is also excited to explore the possibility of partnering with City Kids on some future projects and programs, which could open up some new possibilities.
In this summer’s last session of the AFP music program, we recorded “The Cut”, a new song by the band newly formed by the kids, called Static Vision. We set up all of the instruments in the music classroom at Humanities Prep, using tables as gobos to separate the sound sources a little bit. We mic’ed all of the drums and amplifiers, and recorded live together, a technique that is employed less and less these days in the age of overdubbing and “in the box” production. It was a great opportunity for the band to seek to achieve excellence as a group, and to focus on listening to each other, while performing with energy and accuracy. It’s a tall order, but it brought out the best in everyone, and we got a few near perfect takes, which we will be editing and mixing in sessions that will be held during the coming school year. As intense as the recording[...]
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10 years ago
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As we gear up for another school year, we've been hard at work applying for two new grants (Lily Auchincloss, Investors Bank Foundation), developing our new artist blog site, and planning events for the fall.
In June, the Sansom Foundation awarded AFP another generous grant for the fourth consecutive year. The funds will help support an expanded effort to market AFP's Arts Education Programs to new schools and partner organizations. We developed a great new brochure and we have been reaching out to many new schools across NYC over the summer. If you're a teacher or school looking for dynamic artistic programming, let us know!
We're equally excited about our new artist blog site which was launched in June. We have several great bloggers writing across various art genres. Hooking us up with fresh news, interviews and reviews in visual art, performance and such is Anni Irish. Anni's a Brooklyn based writer & editor and a graduate of NYU. You can check out her new posts in the middle of the month and the end of the month. Heading up our nightlife, parties, clubs blog is none other than former TONY's nightlife editor and all around great guy, Bruce Tantum. Bruce has DJ'ed at many AFP events through the years and when this opportunity came up I couldn't think of someone we would rather have on board. Bruce's blog titled, "We Learn Dances" posts on the first of each month. AFP's super duper, all around volunteer and fashion guru Allyson Jacobs heads up the fashion blog. A[...]
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10 years ago
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On August 4th people in Times Square were exposed to a unique art experience--digital billboards were changed from their usual advertisements to iconic American art pieces. This art intervention in a public space won't stop there and will also include a print campaign that will be seen on public transportation and throughout the city and in other locations. This is being done through the efforts of Art Everywhere US a collaboration between five major art museums and the Outdoor Advertising Association of America. According to an article in the LA Times, the campaign will run from August 4-31 and will feature fifty eight images which will be displayed in close to 50,000 commercial locations in all fifty states. All the images were voted on by the public and the museums involved include The Los Angeles County Museum of Art (LACMA), the Dallas Museum of Art, the Art Institute of Chicago, the National Gallery of Art and the Whitney Museum of American Art.
The event was first conceived of by Richard Reed who produced a similar campaign in the United Kingdom in 2013. This included a similar collaboration between the Tate Modern, Art Fund and the UK out of Ihome advertising industry. Artists in the US nation wide campaign include: Andy Warhol, Winslow Homer, Cindy Sherman and John Singer Sargent among others.
Art Everywhere U.S. Times Square installation, featuring Winslow Homer’s “The Water Fan” (1898-99, The Art Institute of Chicago, Gift of Dorothy A., John A. Jr.[...]
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10 years ago
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Art for Progress’ summer music education program has met two more times since my last post, and a lot of great stuff has been going on. We have been exploring jazz theory, analyzing Etta James’ “At Last”, using the solfeggio system to develop ear training, and have delved into some vocal exercises in order to tune up our voices, and to reinforce the ear training work. Participants have each been asked to select a song to work on, and we’ll be applying the new techniques we’ve developed to singing those songs in the upcoming final session. One student, who is originally from Bangladesh, is even working on a song by his favorite Bengali pop band! In addition to all of this subtler harmony work, there’s been some good ol’ rocking out, as well. The group has expanded its original repertoire of rock songs, and has been honing the arrangements to prepare for our final recording session of the summer. We have recorded versions of four original songs thus far, and as we get closer to the perfect take, we have also been studying the various tools used in the recording and mixing process, and learning how to make the tracks pop out of the speakers.
“At Last”, by Etta James is a timeless classic, which was revisited a few years ago by Beyonce in the movie “Cadillac Records”. While the melody is arresting and unforgettable in its uniqueness, it also contains some very exemplary chord changes, which are great for illustrating the use of ii-V-I progressions and some other essential jazz[...]
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10 years ago
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Welcome to We Learn Dances, an occasional series on the people, parties and (most of all) music that make clubland the wonderful place it is. The focus will be on the slightly more refined, artistically oriented end of the nightlife spectrum—yes, such a thing exists, believe it or not—rather than on the superficial pleasures afforded by either the bottle-service scene or the EDM world. At least, that’s the plan.
We’re kicking the series off with a man who’s intimately familiar with the concept of sophisticated dance music, Dennis “Citizen” Kane. He’s been an integral part of NYC’s nightlife since the mid-’90s, when the Philly transplant hit NYC and established himself in the underground scene as one of its most knowledgeable DJs; since then, he’s since played scores of venues across the city and around the world. He’s established a pair of respected record labels: Disques Sinthomme, which has released a wide range of work featuring the likes of Max Essa, the Beat Broker, Liquid Liquid’s Sal Principato and Richard “Padded Cell” Sen, and an edit imprint, Ghost Town, which has seen contributions from Brennan Green and Bicep, among many other notables. He’s a talented producer himself, with material out on such respected labels as Tummy Touch, Ubiquity and Adult Contemporary (track down his mix of Yagya’s “Rigning Sjö” on that last label—it’s killer.) His website, dsgtnyc.com, hosts a rather amazing podcast that’s featured sets from such international stars as DJ Harvey, Prins[...]
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10 years ago
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In the fall of 2012, Nasrene Haj and Mila Pinigin formed the Creators Collective. At the time Haj and Pinigin, who had recently graduated from Sarah Lawrence College, were interested in creating a collaborative space in which other artistic individuals could come together to network, generate discussion and develop projects and events which challenged the status quo. In the two years since the Creators Collective was founded, Jeremie Gluckman joined the organization as Research Director while Haj has remained at the helm guiding the Creators Collective forward, always seeking out new and innovative ways to engage the arts on a micro and macro scale.
I spoke with Haj who is the Director and Co-Founder of the Creators Collective, about what it is like being a working artist in Brooklyn today, what challenges she faced starting an organization, and what changes she has seen in the Brooklyn arts community having grown up here
Anni Irish: How was the Creators Collective formed? And what was your intent for this organization?
Nasrene Haj: I founded The Creators Collective with one of my best friends from college, Mila Pinigin. One evening, while studying abroad in Italy our junior year, we were having dinner and started throwing around ideas for projects we’d like to work on together. We thought about how amazing it would be to create a small collective in Brooklyn that would engage these various projects with other friends and community members. A few months after gradu[...]
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