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5 years ago
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New York City based non profit Art for Progress has launched an online music resource for NYC students and anyone who's interested in learning how to produce music, play an instrument or vocal instruction.
In response to the school closures and what seems like the
inevitable end of the school year, Art for Progress is taking a progressive
approach to providing instruction for our students in both our elective music
classes, after school programs and our BREC campus wide after school music
program.
To address this challenge, we will be providing weekly educational videos that will align with what was being taught in the classrooms prior to the school closures- instrument instruction, vocal instruction and music production. New content will be posted along with a narrative for each video, and our teachers will be available to take questions, arrange chats and for follow up meetings.
We expect to launch the online program on Monday, March 23rd and as we come up with more creative ideas we will continue to add more to the program. At this point, we will provide as many resources as possible to be sure that this is the best experience we can provide outside of the classroom.
We’re excited to do this for our students and for anyone who wants to learn through this new resource. For any inquiries, please contact admin@artforprogress.org.
Please subscribe to the channel and follow us here: https://www.youtube.com/channel/UCbEUTEdVVFNtY49A7D01-ZA
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6 years ago
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Gregory Siff, "You" ink, oil, crayon on canvas 2019
After missing the December shows in Miami, I was determined to get out and see what New York had to offer at Armory Week. I had planned to attend the Art on Paper opening on Thursday, but I wasn't able to make it. So, Saturday was my day to get my art fix. I got an early start with the idea of beating the crowds and catching up with some artists and curators I haven't seen for a while.
Michael Flomen, "Full Moon Rain, Number 3," 2016
First stop was Plan B, which was one of the smaller shows- a pop up art show created by a group of gallery owners when Volta was cancelled. Sometimes you can find some really intriguing work at the smaller shows. For example, this piece by Michael Flomen ("Full Moon Rain, Number 3") caught my attention. It's quite minimal, but very creative. The Canadian born Flomen collaborates with nature using photogram's to create these unique pieces. The black pigment, cracked surface and contrast got my initial attention and required a closer look.
The other artist that caught my attention at Plan B was Jongmin Joy Kim, a NYC transplant from Korea. His expressive, colorful abstract work was fun and had a street art vibe.
Jongmin Joy Kim, untitled, 2018
Our next stop, which is usually very good in Miami was Scope. I did attend Scope in New York in 2018 and found it to be disappointing. So, I was curious to see how the show would compare to last year's show.
Upon entering, the [...]
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6 years ago
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Art for Progress (AFP) is thrilled and honored to present a night of empowering original music, created for a special evening to benefit AFP’s art education programs. Music for Progress will take place on Friday November 30th at NYC’s quintessential listening room, Rockwood Music Hall (stage 2) and feature psychedelic world-jam group Toubab Krewe, Brooklyn power trio Bad Faces, and 3Bridge Records and Flemcy Music recording artist and DJ, Gatto. Get your tickets [HERE]
Blending American and West African influences into a sound all its own, Toubab Krewe has set "a new standard for fusions of rock 'n' roll and West African music" (Afro pop Worldwide). Since forming in 2005, the magnetic Asheville, NC based quintet has won a diverse and devoted following while performing everywhere from Bonnaroo to the Festival of the Desert in Essakane, Mali. Mixing American rock with the musical traditions the band fell in love with on their travels to Africa, their sound also nods to surf and zydeco. This fusion of sound is what the Village Voice describes as "a futuristic, psychedelic, neo-griot frenzy" and Honest Tune hails as "one of the most innovative voices in music today."
Bad Faces are a Brooklyn power trio as deeply rooted in American traditional music as they are reaching for new stratospheric heights in their improvisational explorations. Led by singer/guitarist Barry Komitor, a fixture in New York's vibrant folk and bluegrass scene, the group has amassed a strong local foll[...]
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6 years ago
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This summer, thanks to a grant from the Matisse Foundation, I had the great pleasure of teaching the music portion of the Art for Progress Summer Arts & Music Program for high school students and young adults interested in pursuing creative careers. Consisting of series of four workshops held on Sunday mornings during July and August at the Clemente Soto Velez Cultural and Educational Center, the program was designed to explore the many real-world considerations inherent to careers in the arts and music. The focus was to look at some of the dynamics at play in the music and art worlds, and to provide support in the development of specific skills in the various media. Each week, a professional working in the arts was invited as a guest speaker and to host a short discussion. The speakers were happy to answer questions and were very informative and animated as they enlightened the group about the day-to-day life of a working artist. Everyone seemed to have a great time and to get a better sense of how to approach their work professionally going forward. On a personal note…I had the fantastic opportunity to study visual art in Paris while in college, and later jazz theory and improvisation, so it was auspicious to me to be able to work with the foundation representing French painter Henri Matisse, a personal favorite and early influence. Matisse was known to love American jazz music, and that added to my special sense of personal investment in this project. We at AFP are[...]
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6 years ago
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Humanities Preparatory Academy, our flagship music education program, suffered a budget cut of $130,000 this year. As a result, they have to eliminate half of the music classes AFP has been providing for the past 6 years. The school is located in Chelsea, but it’s mostly attended by students from under-served communities in Harlem and the Lower East Side. AFP’s music program is the only music program at the school. With each year, there are more students that want to take music classes than we can accommodate.
As we've seen time and again, music and art classes are the first to go when cuts like this happen. Our goal is to raise $10,000 to supplement the budget and fund the program for the upcoming school year. If we can raise the necessary funds, we can continue to serve as many kids as possible and maintain the vital music and arts presence that has become a signature of the school's culture. Our mission is to provide creative arts programs for all New York City public school students. Every child should have the opportunity to learn creative skills and problem solving.
Please make a donation right now to help us fulfill our mission. We have some exciting gifts that we're offering to exceptional contributors as an added incentive, including artwork and private music performances and lessons. Thank you in advance for your help!
Please watch this short video from AFP's Director, Frank Jackson and Educator, Barry Komitor.
Take a look at the suggested donation le[...]
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7 years ago
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It never ceases to amaze me. The abundance of extraordinary talent in the NYC music scene is obvious to anyone who seeks to experience it. Yet, so many people talk as if the scene is terrible and how difficult it is to find quality music at the venues in NYC. I will admit, the Bleeker Street music clubs do leave much to be desired, but one venue, le possion rouge, is certainly doing it the right way. LPR has made a name by bringing in experimental, eclectic and alternative artists over the past 10 years, and this past Saturday night was no exception.
Yonatan Gat performed in support of his new album, "Universalists" which was recently released on Joyful Noise Recordings. He played three different sets, and we were fortunate to catch the last two which were truly epic. The long transplanted New Yorker showed off his masterful guitar skills, (The Village Voice named him "Best Guitarist in New York, 2013.") shredding through an eclectic mix of ethnic sounds with merely a vocal, but it didn't discourage fans in attendance as they marveled at his guitar playing skills. I was also impressed with his band as they were on point throughout the set, and as the sound changed, their energy was consistent and at a high level throughout. Gat's sound is clearly focused on guitar, but I couldn't help but watch his drummer relentlessly pounding on the skins and his evident passion for the music. This brings to mind the most anticipated part of the evening for me and apparently man[...]
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7 years ago
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MLiR stands for Modern Life is Rubbish, an utterly accurate and ironic name. Founded by the two absolutely crazy Swedes from outer Space, Marco Gegenheimer and Einar Christofferson. In 2016 the two lads broke through with the musical and mega hyped debut EP ”Swedish Lo-Life” on Studio Barnhus, the re-known and eclectic record label run by Axel Boman, Kornél Kovács and Petter Nordkvist.
An EP of 5 songs, featuring the big hit people with almost 300 000 plays on Spotify so far. Up next in 2017 for Marco and Einar is their 2nd installment for Studio Barnhus, an EP under the name ”Trans-World Junktion”. They also have EP:s coming early 2018 for UK label Banoffee Pies, Berlin based Lossless, a 3rd EP for Studio Barnhus and non 4/4 stuff for Magic Teapot Records. Apart from all this, the boys are also preparing a live show for next year where everyone will be able to see them shaking their asses and showing the world they’re here to stay to make you go bananas. Modern Life is Rubbish, and you know it!
Marco, nice to meet you and welcome to Art for Progress. MLiR it is the new project you have created, but your career started a long time ago. Please, could you tell us when did you start to produce music?
My interest to produce music started after having a 5.5 years break from DJ'ing in 2009. I then started working on an album for Ratio?music / Rush Hour (which got lost) and released several EP's on Ratio?music / Rush Hour, Moodmusic and Perplex Recordings. I had a band ca[...]
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7 years ago
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For music aficionados and the real heads that check out a lot of live shows, you know when you're in the presence of exceptional musicians, singer/songwriters. Where Mumford and Sons have in some respects brought a new wave of progressive folk music to the forefront of popularity, I can't say the results have led to many high quality bands. When I received an invite to check out the band Twain, I was a bit reluctant about attending, but after listening to some of their stuff I was ready to go.
On this night, they were playing the opening set, but it was obvious that the early crowd was gathered to see Twain, and by the end of the night it was clear they were worthy of the top billing for this show.
With 8pm fast approaching, the level of excitement was building as eager fans edged closer to the stage, and with their new album Rare Feeling dropping on October 20th, this would be the first opportunity for many to experience the new stuff live. As they got into their first song, the thing that initially caught my attention was the depth and warmth of their sound, and as their set progressed I heard glimpses of everything from Neil Young, The Doors and even The Grateful Dead.
This is the kind of music that grows on you, and as you continue to listen to Mt. Davidson (lead singer/songwriter) and the band perform, you're soon captivated both musically and lyrically. Though many of the songs deal with serious subject matter, there's an undeniable sense of enthusiasm in[...]
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8 years ago
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We recently caught up with musician, singer, song writer and visual artist Yoni Wolf to discuss the new album from his band Why?. Moh Llean will be released on March 3rd, and is the band's first release since 2013's Golden Tickets.
What was the band’s motivation/inspiration for the latest album, “Moh Llean” and how is it different than the band’s previous releases?
I can't say there is ever a specific motivation or inspiration. We are artists and we are drawn to making art in whatever state-- from whatever space we find ourselves. This one was no different, though of course it ends up with its own feel and identity based on our changes and developments as humans.
Is there a particular story you wanted to tell or message you wanted to send with “Moh Llean.”
I would say that whatever the album conveys thematically, it does so naturally without pre-conceptions or agenda. That said, I think it is an attempt at openness in the heart and acceptance and peace.
How did the hip hop element of the band’s sound come to be? Are you guys hip hop fans? Classic or modern day hip hop? Or, was it organic?
I started out as a rapper. Hip hop is at my roots and core. I don't think this album is very hip hop though.
Tell me about the band’s creative process. Do you work remotely or do you go off to the woods to write together as a group?
I wrote most of the stuff myself. My brother Josiah and I produced and arranged the stuff together. We have a couple musicians-- [...]
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8 years ago
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We recently caught up with Brooklyn based band Slothrust, who are releasing their long awaited third album, Everyone Else on Dangerbird Records October 28th.
1) Are you native New Yorker's or transplants?
Will and I are from Boston and Kyle is from New Jersey.
2) How would you describe your sound?
Blues / jazz influenced rock music with a lot of dynamics and time signature changes ;)
3) How has the crowd responded to the new music from Everyone Else?
Crowds we have performed to have responded really positively to the new music. We are very excited to tour and share it with more people.
4) Was there a particular story you wanted to tell or message you wanted to send with Everyone Else?
There is not one story in particular that I am trying to tell with this record. Thematically, it deals a lot with water and dreams. I like thinking about different states of consciousness and things infinitely larger than the self.
5) What do you enjoy most about touring and performing live?
I like seeing new cities and the exchange of energy that happens between performers and difference audiences.
6) Tell me about your creative process. Do you work remotely or do you go off to the woods to write together as a group?
It's a combination of a lot of things. Generally songs come to me in pieces and we go about executing them in a variety of ways. In the past there hasn't been a particular formula for us.
7) Where do you find your inspiration[...]
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8 years ago
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Hello, September! This fall, get ready for Kate Moss, patent leather, platform boots, Ally McBeal-inspired mini-skirts, and "Pretty Woman" style references!
From Alexander Wang's Fall/Winter 2016 looks to Thierry Mugler's 2017 Resort collection, various nods to the 90s are currently trending. Heck, even leggings are back, with Céline creative director Phoebe Philo styling stretchy pants under the label's latest set of skirts and dresses!
Here's a stunning example from Céline Photo: Monica Feudi / Courtesy of Céline
Gorgeous 90s inspired outerwear to look out for include Isabel Marant's red, Rock n' Roll patent leather trench, and Vivenne Westwood's puffer coat (below).
But in the world of womenswear, expect lots of style references this upcoming season from that memorable decade. Just this week, we saw the return of Kate Moss as the face of Charlotte Tilbury's fragrance "Scent of a Dream" (video at bottom), as well as Kenzo World's send-up to Fatboy Slim's "Weapon of Choice" music video, directed by Spike Jonze, featuring actress Margaret Qualley.
Check out this insane video below!
And just when you've thought you've seen enough genuflects to the 90s, there are mini-skirt suits from Alexander Wang à la "Ally McBeal," and cut-out looks from Thierry Mugler, harkening back to the Julia Roberts classic "Pretty Woman." Smells like Teen Sprit? Oh yeah!
A look from Alexander Wang, Fall/Winter 2016.
Photo: Yannis Vlamos / Indigital.tv
Thierry Mugler's 2017 Reso[...]
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9 years ago
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There was once a professor who consistently lamented people not spending time with a work of art. She felt that consuming art became speedy, mediums were not fully appreciated in their details, and therefore a lot of great artwork may never get proper recognition. It's safe to say this is true for many people, and even those like myself who studied art have definitely overlooked pieces due to the extreme saturation of available art to see, especially in a metropolis like New York City (though it is something I greatly try to avoid while in a space.)
I was stuck in front of Scott Williams' painting 50th Street Maspeth this past weekend, due to the intimate space at Art101 being packed with people, but I'm glad I was. His work first appears like an impressionistic modern landscape - a view of the street, cars parked, sunny day, fence to the side - but the more I stared at it the more odd I found it. I noticed his use of perspective is based on traditional one-point perspective yet it is shifted off to the side thereby disrupting the everyday banality of this type of setting. Furthermore, his use of oil paint appears both deliberate, in regards to shadowing and color, and accidental in regards to the application of paint itself. This imbues the scene with a sense of randomness and further complicates it. He writes of his "chance" paintings - "For on site, 'plein air painting', a map of Queens and Brooklyn was marked with gridded coordinates. Throwing numbered and lettered coi[...]
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