Category archives: Non Profit
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10 years ago
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September has been another exciting month for AFP Arts Education. We have been forming alliances with a variety of other non-profit groups, as well as getting this semester’s programs under way. Teaching artist Elio Schiavo has been doing a great job with our new partner LACASA at P.S. 84. Elio is teaching four percussion classes per week to K-4 students.
I have hit the ground running at Humanities Prep this semester. In addition to having two great groups of kids in my regular classes, I have some very dedicated and focused students attending, and we are getting into some great stuff, including song analysis, learning how to identify the key or keys of a song, and some new improvisation techniques.
One of my favorite things about having the opportunity to teach at the same school for a third consecutive year is that new students have heard exciting things about my class from their friends. When they come to class in the beginning of the year they are eager and hopeful, they know the class can help them achieve goals that are important to them, and they are attentive and participate with less self-consciousness. Some students who have excelled and some who were slow to appreciate the opportunity actually request to be enrolled in the class for a second time. Whether they are expanding their repertoire or finally taking the class seriously, returning students are enthusiastic and focused without exception. Because there is a well established creative musical culture th[...]
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10 years ago
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There's have been so many good electronic- and dance-music releases coming out lately that our heads are spinning…but we've conquered our vertigo enough that we can tell you about two of our favorite recent releases. As an added bonus, both of them have a strong Gotham component - go, home team!—Bruce Tantum
New York Endless
Strategies EP
(Golf Channel Recordings)
“Scale Those Heights,” off the debut EP from New York Endless, is bedecked with the following ornamentation: a metronomic, tick-tocking rhythm; percolating, cascading synths; a spare, haunting melody and, when a four-chord keyboard pattern kicks in around the three-minute mark, a quietly triumphant ambiance. In short, it’s a gorgeous tune that’s not far removed from the work of Kraftwerk, especially the often-meditative, flowing music the German quartet produced for mid-period albums such as ’77's Trans-Europe Express and ’78's The Man-Machine—and for Dan Selzer, the man behind New York Endless, that likely would be the ultimate tribute. Selzer, a veteran DJ and longtime underground presence (he runs the postpunk/new-wave–oriented label Acute Records, among many other claims to fame), doesn’t keep his love of Kraftwerk, and specifically, the combo's “Europe Endless,” a secret, and the shimmering aesthetic of that song and that album runs strong on this EP.
Which is not to say that Selzer has made a slavish, gently cosmic Kraftwerk copy here. “Scale Those Heights” is a full-bodied and muscular work, closer[...]
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10 years ago
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Art for Progress (AFP) is pleased to announce a group exhibition of new works by artists from New York City, Los Angeles, Spain and Israel. The show entitled “Déjà vu” will run from October 30th to November 12th, 2014 at NOoSPHERE Arts in New York City, and the opening reception will take place on October 30th from 6 to 10 PM.
The exhibition will include a variety of mediums, from painting to sculpture, which tackle the theme of déjà vu. The term can be described as “a feeling of having already experienced the present situation” or “a tedious familiarity.”It first appeared in a 1928 text entitled a Text for Psychology. Since then, the topic of déjà vu has been addressed from the big screen to Sci-Fi novels. It is a concept and sensation that has captivated audiences for generations and in this exhibit AFP hopes to push the boundaries of this.
For this show, the concept of déjà vu has been explored from several vantage points, from ideas of storytelling to an affective feeling. This exhibition is seeking to both comment on this topic and try to rethink the way in which it has been socioculturally situated. Déjà vu has come to occupy a very specific place within popular culture and this exhibition aims to build on that while also carving out new meaning for it.
Fourteen artists will be featured in the show: Rocco Alberico, Ted Barr, Bill Claps, Lance Dehne, Tony DiBella, Essam, gilf!, Diane LaRaja, Lichiban, Sona Mirzaei, Carol Nussbaum, Juan Manuel Pajares, Jeanne Wilkinson[...]
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10 years ago
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As we gear up for another school year, we've been hard at work applying for two new grants (Lily Auchincloss, Investors Bank Foundation), developing our new artist blog site, and planning events for the fall.
In June, the Sansom Foundation awarded AFP another generous grant for the fourth consecutive year. The funds will help support an expanded effort to market AFP's Arts Education Programs to new schools and partner organizations. We developed a great new brochure and we have been reaching out to many new schools across NYC over the summer. If you're a teacher or school looking for dynamic artistic programming, let us know!
We're equally excited about our new artist blog site which was launched in June. We have several great bloggers writing across various art genres. Hooking us up with fresh news, interviews and reviews in visual art, performance and such is Anni Irish. Anni's a Brooklyn based writer & editor and a graduate of NYU. You can check out her new posts in the middle of the month and the end of the month. Heading up our nightlife, parties, clubs blog is none other than former TONY's nightlife editor and all around great guy, Bruce Tantum. Bruce has DJ'ed at many AFP events through the years and when this opportunity came up I couldn't think of someone we would rather have on board. Bruce's blog titled, "We Learn Dances" posts on the first of each month. AFP's super duper, all around volunteer and fashion guru Allyson Jacobs heads up the fashion blog. A[...]
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10 years ago
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Art for Progress’ summer music education program has met two more times since my last post, and a lot of great stuff has been going on. We have been exploring jazz theory, analyzing Etta James’ “At Last”, using the solfeggio system to develop ear training, and have delved into some vocal exercises in order to tune up our voices, and to reinforce the ear training work. Participants have each been asked to select a song to work on, and we’ll be applying the new techniques we’ve developed to singing those songs in the upcoming final session. One student, who is originally from Bangladesh, is even working on a song by his favorite Bengali pop band! In addition to all of this subtler harmony work, there’s been some good ol’ rocking out, as well. The group has expanded its original repertoire of rock songs, and has been honing the arrangements to prepare for our final recording session of the summer. We have recorded versions of four original songs thus far, and as we get closer to the perfect take, we have also been studying the various tools used in the recording and mixing process, and learning how to make the tracks pop out of the speakers.
“At Last”, by Etta James is a timeless classic, which was revisited a few years ago by Beyonce in the movie “Cadillac Records”. While the melody is arresting and unforgettable in its uniqueness, it also contains some very exemplary chord changes, which are great for illustrating the use of ii-V-I progressions and some other essential jazz[...]
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10 years ago
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In the fall of 2012, Nasrene Haj and Mila Pinigin formed the Creators Collective. At the time Haj and Pinigin, who had recently graduated from Sarah Lawrence College, were interested in creating a collaborative space in which other artistic individuals could come together to network, generate discussion and develop projects and events which challenged the status quo. In the two years since the Creators Collective was founded, Jeremie Gluckman joined the organization as Research Director while Haj has remained at the helm guiding the Creators Collective forward, always seeking out new and innovative ways to engage the arts on a micro and macro scale.
I spoke with Haj who is the Director and Co-Founder of the Creators Collective, about what it is like being a working artist in Brooklyn today, what challenges she faced starting an organization, and what changes she has seen in the Brooklyn arts community having grown up here
Anni Irish: How was the Creators Collective formed? And what was your intent for this organization?
Nasrene Haj: I founded The Creators Collective with one of my best friends from college, Mila Pinigin. One evening, while studying abroad in Italy our junior year, we were having dinner and started throwing around ideas for projects we’d like to work on together. We thought about how amazing it would be to create a small collective in Brooklyn that would engage these various projects with other friends and community members. A few months after gradu[...]
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10 years ago
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Having finished up a great school year, including the amazing Humanities Prep Student Music Showcase, our summer programs have hit the ground running. A new music enrichment program was launched with the Upper West Side JCC for K-4th graders four days a week, and AFP is hosting a summer music program at Humanities Preparatory Academy.
Since the bulk of my work with AFP involves school programs, in addition to AFP's summer Jazz program for older kids, Frank, Allyson and I are always looking for opportunities to contribute to the rest of the community through workshops during the summer. This summer, I have been going to 97th Street four mornings a week to introduce music to students enrolled in the JCC’s Summer Enrichment Program. The program is for under-served kindergarteners through 5th graders, and boy, do we have a good time! I bring my guitar, and a bunch of drums and percussion instruments for everyone, including the teen tutors in the class, to play. Before we get to jamming, I show everyone how to clap in time and count out measures. We play rhythm games and try to follow each other, and the kids get to make up their own rhythms, first on the whiteboard, then on the instruments. It is amazing how quickly kids will pick up the basic concepts that are the foundation of reading and playing music in the context of a game. On my second day, the class I had worked with on the first day marched into the other class ten minutes before the end of class with their own homem[...]
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10 years ago
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Recently I saw the Kara Walker installation “A Subtlety: The Marvelous Sugar Baby" which was on display at the former Domino Sugar Factory through July 6th. The event was organized by Creative Time, an arts based nonprofit that has commissioned various large scale public art projects with many artists within New York and internationally since 1974. The full title of the piece, “A Subtlety Or The Marvelous Sugar Baby an Homage to the unpaid and overworked Artisans who have refined sweet tastes from the cane fields to the Kitchens of the New World on the Occasion of the demolition of the Domino Sugar Refining Plant” has poetic undertones and underscores many of the complex issues that Walker is driving at within the installation.
On a recent weekend, I made the trek to Williamsburg to see Walker's installation. When I arrived at the Kent Street waterfront where the Domino Sugar factory is located, I was astounded by the amount of people in line. It extend down the street for almost an entire block. I took my place in the back of line with only my sunglasses to shield me from the hot summer sun and waited. As the line continued to grow, several volunteers for Creative Time emerged to help answer questions and to hand out releases to sign to enter the factory. The line progressed and soon I was in the factory.
When I entered the space, I was overcome by a smell—a pungent, sticky and sweet aroma that seemed to fill the factory. The overwhelming odor was present partly becau[...]
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10 years ago
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Within recent years, Brooklyn has become a place that many artists have flocked to. One such artist is Dianna Carlin, who has been active within the Brooklyn arts scene since 2000. Carlin who is better known as Lola Star, has become a local celebrity through her popular Lola Star's Dreamland Roller Disco. Dreamland Roller Disco first opened in 2010 and combined Carlin's love of rollerskating and the glamor of Coney Island for a wide audience to enjoy. However, the skating rink sadly closed in 2010.
After four years of searching for new location, Dreamland recently reopened in Prospect Park's Lakeside Rink. Each Friday Lola Star will host themed skating parties in the new location. This week's party will be based on the 1980 film "Xanadu” staring Olivia Newton-John, Gene Kelly and Michael Beck. With more dance parties on the horizon, Carlin is “excited” to have Dreamland up and running again. The skate parties are scheduled to go through the end of August but Carlin hopes to offer more parties in fall and winter months.
I recently spoke with Carlin about how she got the name Lola Star, how she has adapted to the changing face of Brooklyn and what role community activism has played within her work. Carlin got the nickname because, “I use to skate around my parent's basement listening to Barry Manilow's 'Copacabana' on repeat and dreamed of being a rollerskating star. My parents would yell downstairs 'What are you doing down there Lola?'” This was in reference to the [...]
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10 years ago
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As a relatively new member and contributor to Art For Progress I wanted to take this opportunity to explain what drew me to the organization and what it has meant to me over the past year and a half. I also, wanted to congratulate all of those who have helped the organization to serve the local community for 10 years. That is truly an amazing feat! As we look ahead to the second half of the summer, I thought it might also be a good idea to give a little preview of what to expect for the rest of the summer from our local music scene in NYC.
Firstly, any great organization is made up of great people and I realized early on that AFP was no exception. The dedication of the teachers and volunteers was evident from the first event I attended and has not waned since. This first event was a workshop at the gallery of an AFP artist called NOoSPHERE ARTS. The workshop was aimed at introducing young children from the LES to music, art and photography. At one point in the day two young kids started making music, one on the cowbell and one on the keyboard. It was at this moment that I truly understood the impact of what AFP was doing and the passion of the teachers who dedicate their time to this organization.
AFP is a true grassroots effort and that was one of the things that attracted me to it. This past fall and winter we organized a monthly live music event called “Homegrown,” that featured local acts from the NYC area, ten in total. The quality of the music was a testament[...]
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