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7 years ago
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Dear Artem, welcome to Art For Progress. You are a New York City based artist. Please tell us about your work.
Hi Nerea, yes as you describe, I am a New York based artist, curator and entrepreneur. My imagination allows me to create a new world within each frame while drawing connections with different cultures and to my own heritage. History and mythology play a large role in influencing my work, often igniting the creative process. I am fascinated about mythology, and I am a space time voyager at heart. Traveling is also one of my biggest catalysts for art. I have traveled extensively, experiencing diverse culture, spirit, architecture and ways of life, which helped me to shape my perception and artistic vision of the world. A sketchbook always accompanies me on my journeys. When words alone cannot describe what I envisions in my mind, I just draw...
What inspires you to create such awesome paintings and landscapes?
I absorb everything around myself and filter it through my "art filter." Books, music, architecture, friends, strangers, other artists, travel, relationships, etc inspires me to create my own world of landscapes and adventures.
I love depictions of ancient civilizations, philosophy, present society, and the exploration of " the nature of man.”
As I have mentioned, I draw a lot of inspiration from my readings. History and mythology play a large role in influencing my work, often igniting the creative process. I am fascinated by how the tw[...]
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7 years ago
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Jean-Michel Basquiat was a well known plastic artist based in New York and sponsored by Andy Warhol. Music was very important in the life and work of this artist, and in 1979 he formed an experimental band with the artist and actor Vincent Gallo.
They named the band "GRAY" as a tribute to the book of anatomy published by Henry Gray in 1950.
The band arises in the middle of the punk explosion of New York, but especially to a more experimental branch known as No wave. No wave has a very industrial sound where the electric guitar is used not as a musical instrument, but as a tool that generates noise. He was also interested in the frenetic and eclectic rhythms of the seventies and eighties, like the incipient rap of the hip hop movement.
Basquiat played the clarinet and the synthesizer and the band frequented famous venues like CBGB where Blondie and The Ramones made their debut, the Mudd Club, etc.
The music from "Gray" can be heard in several films including "Downtown 81," starring Basquiat, talking about his life as an artist in New York.
Nerea T. Ruiz
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7 years ago
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Pedro, welcome to AFP, we are pleased to have you here. Please tell us when you started playing and producing electronic music? Tell us about your first project.
I started experimenting with audio edition software when I was 16. At first, my intention was only pure distraction and fun. Before, I used to listen to lot of music, not only electronic music but also good rare versions of everything that you can imagine. I have a brother who is a music lover. I was also an amateur guitar player in a band.
It's my understanding that you've produced music under different artistic names and musical projects in the past? This was before your personal projects, correct?
When I was 22, I started to mix music using the name Pettre and was using it for many years. I published a track on Hivern Discs with John Talabot and Pional. Afterwards, with my project duo called Aster, I have worked for years at Hivern Discs and also at the famous label Mathematic Recordings, based in Chicago. With my recent project Pedro Vian and also with the Aster duo, I've had a presence in important festivals such as Sonar and Primavera Sound.
How do you define your style?
It is impossible to me to categorize it in a single style, because it is a mixture of many. Basically, I don't know how to define it. The experimentation is predominant; many times I feel myself with a foot on the dance floor while the other foot is in the spiritual and ambient side.
https://soundcloud.com/pedro-vian
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7 years ago
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Savina Tarsitano is a visual artist born in Calabria, Italy. She enjoys traveling around the world, but her main interest is experiencing new cultures and countries while sharing her ideas and art across the world. Thanks to her artistic research, she obtained several fellowships and artist residencies. Her work has been selected for the Biennal of Venice, and exhibited in many countries. Savina's work has also been published in several books and catalogues. She is a member of the European Cultural Parliament and Ambassador for the Rebirth project of Michelangelo Pistoletto and Cittadellarte.
Savina, nice to meet you and welcome to Art for Progress. Please, tell us about your art.
My art is focused on the idea of the landing, after different sojourns in theme- places like islands, abbeys, castles, military fortresses and so on. My works are made with different languages that represent embodied visions from the relationship with space, which in my representation is not only a real, but also an imaginary territory. During the period I, I developed three main projects: The Icons of the Chaos, Emotional Architecture and Creativity in Motion for Social Integration through Art and The Island You Want. Through The Island You Want, I was investigating the character and the specific difference of island spaces and landscapes through which I developed an artistic theme. This hermetic operation touches upon both nature, history and culture.
My stays on the island of [...]
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7 years ago
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Art for Progress wants to say goodbye to 2017 with the best electronic music albums of the year.
Below you find our year-end top ten AFP picks that we have selected especially for you. The list includes a video and the label info where the records have been published.
2017! It was a great year for music in the world with many awesome, high quality albums created by the most talented artists from across the world.
Enjoy the new year and may your 2018 be full of good music!
Happy 2018!
1. LCD Soundsystem - American Dream. DFA and Columbia Records.
https://www.youtube.com/watch?v=zKeJFxwuBBE
2. Björk - Utopia. One Little Indian Records.
https://www.youtube.com/watch?v=Sqbv7cCM5AI
3. Laurel Halo - Dust. Hyperdub.
4. Four Tet - New energy. Text Records.
https://www.youtube.com/watch?v=lWInZ4N6C2g&t=2357s
5. Bonobo - Migration. Ninja Tune.
6. James Holden - The animal spirits. Border Community.
https://www.youtube.com/watch?v=pj35YNtP3IE
7. Powerdance - The Lost Art of getting Down. Powerdance.
https://www.youtube.com/watch?v=nHrBXKtc0Sc
8. Charlotte Gainsbourg - Rest. Because Music.
https://www.youtube.com/watch?v=eRwgL_PrQYQ
9. Errorsmith - Superlative Fatigue. Pan.
https://www.youtube.com/watch?v=9fsCgZh6E8k
10. Arca - Arca. XL Recordings.
https://www.youtube.com/playlist?list=PLZqsyBiYZFQ3bQ6wAHoeYkkt[...]
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7 years ago
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MLiR stands for Modern Life is Rubbish, an utterly accurate and ironic name. Founded by the two absolutely crazy Swedes from outer Space, Marco Gegenheimer and Einar Christofferson. In 2016 the two lads broke through with the musical and mega hyped debut EP ”Swedish Lo-Life” on Studio Barnhus, the re-known and eclectic record label run by Axel Boman, Kornél Kovács and Petter Nordkvist.
An EP of 5 songs, featuring the big hit people with almost 300 000 plays on Spotify so far. Up next in 2017 for Marco and Einar is their 2nd installment for Studio Barnhus, an EP under the name ”Trans-World Junktion”. They also have EP:s coming early 2018 for UK label Banoffee Pies, Berlin based Lossless, a 3rd EP for Studio Barnhus and non 4/4 stuff for Magic Teapot Records. Apart from all this, the boys are also preparing a live show for next year where everyone will be able to see them shaking their asses and showing the world they’re here to stay to make you go bananas. Modern Life is Rubbish, and you know it!
Marco, nice to meet you and welcome to Art for Progress. MLiR it is the new project you have created, but your career started a long time ago. Please, could you tell us when did you start to produce music?
My interest to produce music started after having a 5.5 years break from DJ'ing in 2009. I then started working on an album for Ratio?music / Rush Hour (which got lost) and released several EP's on Ratio?music / Rush Hour, Moodmusic and Perplex Recordings. I had a band ca[...]
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7 years ago
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It’s a great time of year for New York's documentary lovers, as the nation’s largest nonfiction film festival comes to town. The eighth edition of DOC NYC runs November 9 –16 with screenings and panels taking place at the IFC Center, SVA Theater and Cinepolis Chelsea. Among the fest’s 250 films and events are 11 feature-length works, from already released films such as Agnès Varda’s acclaimed Faces, Places to films making their world premieres, including Sam Pollard’s Maynard, a portrait of Atlanta’s first black mayor, and Julia Bacha’s Naila and The Uprising, about a Palestinian woman in Gaza who must make an impossible choice between love, family and freedom.
Among the festival’s 18 categories are two competition sections: Viewfinders, for distinct directorial visions, and Metropolis, dedicated to stories set in NYC. More than 350 filmmakers and special guests (often film subjects) will be in attendance for Q&As after most screenings and for DOC NYC PRO panels, including Steve Madden (for Maddman), Dan Rather (for Fail State) and Susan Sarandon (for Soufra).
Opening the festival is Greg Barker’s The Final Year, which follows key members of outgoing President Barack Obama’s administration; closing it is Lili Fini Zanuck’s Eric Clapton: Life in 12 Bars, about the life and career of the legendary guitarist. In between are docs of all sizes and shapes including centerpiece film Far from the Tree, Rachel Dretzin’s world premiere adaptation of Andrew Solomon’s book,[...]
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7 years ago
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For music aficionados and the real heads that check out a lot of live shows, you know when you're in the presence of exceptional musicians, singer/songwriters. Where Mumford and Sons have in some respects brought a new wave of progressive folk music to the forefront of popularity, I can't say the results have led to many high quality bands. When I received an invite to check out the band Twain, I was a bit reluctant about attending, but after listening to some of their stuff I was ready to go.
On this night, they were playing the opening set, but it was obvious that the early crowd was gathered to see Twain, and by the end of the night it was clear they were worthy of the top billing for this show.
With 8pm fast approaching, the level of excitement was building as eager fans edged closer to the stage, and with their new album Rare Feeling dropping on October 20th, this would be the first opportunity for many to experience the new stuff live. As they got into their first song, the thing that initially caught my attention was the depth and warmth of their sound, and as their set progressed I heard glimpses of everything from Neil Young, The Doors and even The Grateful Dead.
This is the kind of music that grows on you, and as you continue to listen to Mt. Davidson (lead singer/songwriter) and the band perform, you're soon captivated both musically and lyrically. Though many of the songs deal with serious subject matter, there's an undeniable sense of enthusiasm in[...]
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7 years ago
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We'll be back on the rooftop in Greenpoint at Mothership NYC for now what's become an annual gathering of artists, friends and of course great art & music. We have a stellar line-up this year with many musicians and performers we've worked with in the past.
Check back for updates, artist links and details in the coming weeks. Summer is here and there's nothing better than a good rooftop party in NYC.
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8 years ago
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The second film from Swedish director Kasper Collin, I Called Him Morgan is an evocative, beautifully filmed documentary of a remarkable life cut short and a remarkably fertile period in New York City’s jazz scene. In February 1972, acclaimed 33-year-old trumpeter Lee Morgan was shot to death by his common-law wife Helen in an East Village club. The murder shocked all who knew the couple, including Morgan’s fans and fellow musicians, many of whom tried to make sense of the tragedy afterwards.
Using interviews; gorgeous, iconic, black and white still photos; archival film clips, and moody reenactments—all underscored by a fabulous soundtrack—Collin constructs compelling portraits of both Lee Morgan and his common-law wife Helen, making their way in New York City’s hopping jazz scene from the late 1950s through the early '70s. The story slowly builds up to that fateful night, providing details that many have apparently pondered for years. In doing so, Collin gives us a glimpse of the great talent possessed by Morgan, along with poignant memories of the people who nurtured and appreciated it. With its potent music, atmospheric footage of vintage NYC and artfully abstract recreations, the film also gives us a palpable sense of time and place.
Collin's main resource is an interview that Helen gave to radio host and jazz scholar Larry Reni Thomas in 1996, a month before she passed away. This fortuitous conversation came about when Thomas was teaching adult education a[...]
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8 years ago
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Founded in 1962, Film Comment has long been the critical voice of art-house and independent cinema, while also offering thoughtful coverage of more mainstream movies. The Film Society of Lincoln Center, which has published the magazine since the 1970s, annually presents the Film Comment Selects festival, which runs this year from Friday, Feb. 17, through Thursday, Feb. 23. Now in its 17th year, the festival screens movies that are not generally shown elsewhere, mixing the new and noteworthy with older, sometimes forgotten films that deserve another look.
The scope of the festival is demonstrated by its opening night films: a premiere of Stéphane Brizé’s A Woman’s Life, an intricate adaptation of the Guy de Maupassant novel; and an Ultra-widescreen IMAX presentation of Terrence Malick’s trippy Voyage of Time, a visual and aural treat. The festival also features a four-film tribute to recently deceased cinematographer Raoul Coutard and revivals including 1972's The Effect of Gamma Rays on Man-in-the-Moon Marigolds and rarely seen 1962 short On the Harmfulness of Tobacco, both directed by Paul Newman.
Here’s a look at a couple of other films to be screened:
Bitter Money, Wang Bing’s rambling, fly-on-the-wall documentary about Chinese migrant workers, is sometimes a tough slog. His loose, observational style doesn’t always serve the stories of his subjects—various individuals who have traveled to Huzhou to work in the city’s garment factories—nor does it consistently[...]
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8 years ago
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With an unprecedented climate of change and concern dawning in the United States, Art for Progress arts education programs are more essential than ever. AFP is embracing the ever-growing need for alternative and supplemental art, music, theater, and fashion programs for young people representing the voice of true expression in our city. Once again this has been an exciting semester for existing Art for Progress arts education programs in New York City’s public schools, and there are some new programs in the works for the second half of the school year.
Our flagship music program at Humanities Preparatory Academy, which includes school day sessions as well as after school, is flourishing and has produced and cultivated a bunch of wonderful talent this semester. Everyone at the school is looking forward to the talent show on February 16th, which will include solo vocal and instrumental performances, and a variety of ensemble pieces and even a dance number. AFP’s after school program at the James Baldwin School is also going strong and was well represented in the recent school-wide talent show on Friday, January 20. Students from both schools have been working hard after school every day, choosing songs and rehearsing. Especially impressive is the spirit of mutual encouragement among the students as the shows approach.
As for AFP’s Young Adult Music Enrichment Program, tracking is nearly completed on Bronx rock band Statik Vision’s full-length album, and we are preparing [...]
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