Tags archives: Art For Progress
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2 years ago
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Art for Progress (AFP) is set to launch its annual summer program for NYC public school students in July. Now in its sixth year, the program continues to evolve to address the needs of NYC’s young artists and musicians attending public schools across NYC.
The program, funded by The Pierre and Tana Matisse Foundation, offers students interested in careers in the arts and music, summer guidance and instruction. For 2023, the program will shift to a mentorship focused program that offers select students the opportunity to work closely with professional artists across multiple genres including visual art, fashion design, music, and music production.
Teaching artist Paula Parker addressing students- Art for Progress Summer Arts Program
The long running program endured the challenging COVID years by creating an impactful online program that continued through 2021. In 2022, Art for Progress was very pleased to receive a three-year renewal for the funding of the program from The Pierre and Tana Matisse Foundation in 2022. With much joy, we returned to normal, in-person programming last year. A focused group of students and our energized teachers made the 2022 program a big success.
Knowing the foundations approach and goals for the summer program, AFP’s Founder Frank Jackson set out to make the 2023 program the best one yet. The message from the foundation has always been, what will you do to improve the program, and how will the program evolve over time to addres[...]
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2 years ago
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Courtesy of Kino Lorber
An intriguing new film from Chase Joynt, Framing Agnes is a docudrama hybrid that delves into a notorious 1960s gender health study at UCLA. Using reenactments, the film fleshes out several of the study's transgender subjects, including the titular pseudonymous Agnes, who became renowned for "tricking" UCLA in to obtain gender-affirming surgery at a time when such procedures were only done abroad and trans Americans were little seen or understood.
At the beginning of the film, we see news footage of trans pioneer Christine Jorgensen, then one of the most famous women in the world. At the time (1950s) her blond, glamorous image (representing the apex of American femininity) was one of the few public representations — and for many, the only one — of a transgender woman. Joynt then introduces us to six subjects of the UCLA study portrayed by trans actors including Angelica Ross (Pose), Jen Richards (Mrs. Fletcher), and Zackary Drucker (Transparent), as they reenact actual interviews with sociologist Harold Garfinkel (played by Joynt himself), taken directly from unearthed transcripts. They are a cross-section of America, including the blonde, glamorous Agnes (Drucker); church-going African-American Georgia (Ross), and midwestern, working-class Denny (Silas Howard); all of them sharp, thoughtful, and crystal clear about themselves and their place in society at the time. Filmed in black and white, these scenes are fraught with tamped down emotion as [...]
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2 years ago
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Image courtesy of "You Resemble Me"
Boasting an impressive list of producers––including Spike Lee, Riz Ahmed, Alma Har’el, and Spike Jonze––Dina Amer’s gripping and deeply affecting directorial debut You Resemble Me dramatizes the sad and embattled life of Hasna Ait Boulahcen, a young woman who was falsely depicted as Europe’s first female suicide bomber after the 2015 Paris bombings. The first part of the film portrays Hasna and her younger sister Mariam (played with realistic lack of inhibition by real-life sisters Lorenza and Ilonna Grimaudo) as they navigate life in in the suburbs of Paris. Moroccan immigrants, they live in a multi-racial housing complex with their overwhelmed, abusive mother and two other siblings. Despite life’s challenges and the neighborhood’s roughness, the closely bonded Hasna and Mariam manage to have fun playing and running through the streets. With its naturalistic action, dialogue and characters, the film is instantly compelling. Amer presents her story in a straightforward yet often poetic way; it's easy to get drawn into the lives of these scrappy sisters.
Dina Amer (photo: Kevin Scanlon)
During an impromptu birthday celebration for Mariam, their mother attempts to collect her daughter's gifts to sell for cash. Hasna rebels, running away with Mariam in tow. They take the train into the city, where they sleep in a park in the shadow of the Eiffel Tower and snatch food from street vendors. Eventually the girls are apprehended (not for[...]
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2 years ago
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Courtesy of FilmRise
A tough yet poignant film, Gaysorn Thavat’s The Justice of Bunny King is the story of a New Zealand mother who battles the country’s social services bureaucracy to regain custody of her children. Bunny (Essie Davis), a funny, resourceful woman who refuses to be beaten down by the system, is the film’s motor—charming and scheming her way through various obstacles, all to fulfill her promise to celebrate her young daughter’s upcoming birthday.
We first see Bunny energetically cleaning windshields in a parking lot for cash with a posse of fellow squeegee operators. Gradually, we learn of her difficult situation, beginning with a visit to a social services office, where she is reminded that in order to get her children out of foster care—or to spend time with them at all—she needs to have a home. Unfortunately, she’s currently living with her sister’s family during a severe housing shortage.
Things get worse when Bunny witnesses a disturbing scene involving her teenaged niece Tonyah (Thomasin McKenzie) and the former is subsequently kicked out of her brother-in-law’s house. As Bunny faces and is defeated by one hurdle after another, with Tonyah as accomplice, she becomes even more determined, and the film spirals into a suspenseful race against time as the stakes get ever higher. Thanks to Sophie Henderson's script, and Thavat’s pacing and tone, we’re never quite sure what will happen next, while Davis’s terrific performance guarantees that we stay [...]
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2 years ago
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Barry Komitor addressing students at orientation.
It is a great moment to witness the progress we’ve made over the last two years. When the pandemic hit in 2020, Art for Progress (AFP) transitioned its summer program to a virtual platform, as did most folks, institutions, and non-profit organizations at the time. But this year, our in-person comeback is even more solid as we offer an amazing assortment of workshops ranging from pattern-making to music theory, and New York’s young art enthusiasts are soaking it all in.
Although we are running traditional-style workshops, the program is running slightly differently. AFP’s summer program starts every week off with open arts on Mondays. Open arts was devised as an interdisciplinary lab where every student is encouraged to float between workshops or work on specific skills requested by the student. The arrangement was conceived to assist students in taking on a more fluid approach in their practice and garner inspiration from one genre to the next. By providing them with an allowance of space and fluidity to experiment with mediums and engage in collaborative discussions with one another, all possibilities to spark the creative mind, commence exploration, and conceptualize innovative ideas begin. We want to motivate our children to play again. Playing is where genius is born.
Ayden and La Vie working on their collaborative preliminary sketch.
During one of the music composition workshops led by Barry Komitor,[...]
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2 years ago
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Courtesy of Obscured Pictures
It's probably safe to say that Jono McLeod’s documentary My Old School isn’t quite like anything we’ve seen before, both in subject and format. This inventive and charmingly told tale about a renowned Scottish hoax is probably not familiar to most Americans, all the better for us to watch it unfold and deliver its surprises. Using current interviews, old footage and news reports, and many animated sequences, McLeod puts together a fascinating portrait of Brandon Lee (not the late actor), his former classmate at the posh Bearsden Academy in Glasgow. Though Lee agreed to be interviewed, he declined to appear on camera, resulting in one of the film’s most interesting elements: venerable Scots actor Alan Cumming “stars” as Lee, expertly lip-synching his story. (All of the other film’s characters appear as themselves, as animated versions of themselves, or both.)
The tale begins in 1993, when Lee enters fifth form at Bearsden Academy, located in one of Glasgow's fancier neighborhoods. Tall and somewhat odd-looking, he stands out from his 16-year-old classmates in several ways, including his deep voice , unplaceable accent, and formal clothes.
Courtesy of Obscured Pictures
His fellow classmates soon find out that Lee had previously lived in Canada with his late opera-singer mother, toured with her extensively, and had been privately tutored, which explained his accent and advanced age. His ”mask-like” appearance was due to plastic surgery[...]
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3 years ago
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Photo courtesy of Kino Lorber
Olga, a timely film directed and co-written by Elie Grappe, uses the 2014 Euro-Maidan Revolution in Ukraine as the setting for a coming-of-age story about a teenage gymnast who is torn between countries and allegiances. Written in 2016 and completed in early 2021, the film predates the recent Russian invasion, effectively shedding light on events that led up to the current war. Mainly, though, it is a tension-filled portrait of the title gymnast (portrayed with sensitivity by Anastasia Budyashkina, former member of the Ukraine national reserve team), who at age 15 relocates from Kiiv to Switzerland to train for the European Championship with the Swiss national team.
The move is is not easy for Olga, whose late father was Swiss, but it is for her own safety. In an early scene, she and her mother, Ilona (Tanya Mikhina)—a journalist who is investigating the corrupt administration of then President Viktor Yanukovych—are targets of pro-government violence. Despite concern for her mother and ambivalence about leaving home, Olga moves to the pristine alpine countryside to live with her grandfather and other paternal relatives.
In order to compete with the Swiss team, Olga must become a citizen; since Ukraine doesn’t permit joint citizenship, she is forced to choose between the only home she's known and the opportunity to pursue her Olympic dreams. This is another tough decision, complicated by the wide culture and language gap between Olga and[...]
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3 years ago
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We are a little sad that next week will be our last week of the program and of course, summer is also winding down. We are fortunate and thankful that we can provide this program for NYC public school students. It was great getting to know many of our students. They were eager for the opportunity to learn from professional artists and find out more about careers in the arts.
LOCATION: Bayard Rustin Education Complex, 351 West 18th Street, Room 341, New York, NY. CONTACT: Barry Komitor (347) 661- 2469
The program will offer some workshops that will be ongoing while others will be one-offs. Each week we'll post the schedule for the various workshops that will take place on Tuesdays and Thursdays. Mondays will be open arts day where students can work on music, visual arts and fashion design in an open, fun learning environment. Collaborations are encouraged! Special guest artists and speakers will also join us on Mondays.
Our main teaching artists for 2022 are Barry Komitor (music) and Beláxis Buil (visual art, fashion). We are planning to have many guest artist teachers and speakers this year as well.
Week 6: August 8th - August 12th
Monday, August 8th - 12:00PM - 3:30PM - Open Arts
Open Arts happens each week and gives students the opportunity to choose what they want to work on. Our teachers and special guest teachers will offer guidance and assistance.
*This weeks special guest artist speaker is fashion designer Gabe Pa[...]
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3 years ago
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Art for Progress Summer Arts Program
Thanks to a generous grant from the Pierre and Tana Matisse Foundation, we are pleased to announce the summer arts program is funded for the next 3 years! We are looking forward to an exciting, enriching program for 2022.
We are very pleased to announce, the program will be in person in 2022 (unless NYC changes the current pandemic protocol)! The location is yet to be determined, but it will be a location that is accessible from all 5 NYC boroughs.
Also, the program will expand this year to offer workshops for younger students ages 10-13. Plus, the program which has been for a 4 week period in previous years, will now run 6 weeks. To coincide with NYC's summer school program, the dates are July 5th - August 12th with afternoon sessions beginning at 1:00PM weekdays and some weekend dates as well.
Workshops will be offered in visual arts, music and other art disciplines with special guest teaching artists and weekly speakers.
You can sign up here: https://forms.gle/7cW1i8ak7dt7Qs8X8
Any questions, please email admin@artforprogress.org.
Stay tuned for many more details.
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3 years ago
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Courtesy of Kino Lorber
Ahed’s Knee, the latest feature from Israeli filmmaker Nadav Lapid, is a visually inventive, emotionally engaging work about an artist’s rage against censorship and a citizen’s frustration over his country’s direction. Told over the course of one day, the film depicts Y (a moodily charismatic Avshalom Pollak), a filmmaker who travels to a remote desert village to promote one of his films. The title refers to Ahed Tamimi, a real-life Palestinian activist who was detained by Israeli authorities after slapping a soldier. The controversial Tamimi is the subject of a video project Y has begun casting; we see some audition clips, including one actor’s rendition of “Welcome to the Jungle.” (Music plays a huge part in Lapid’s film.) Throughout, the camera moves restlessly, swooping, circling and swinging side to side, sometimes mirroring a character’s point of view, sometimes just creating a state of frenetic energy.
The host of the screening in the Arava is an employee from the Ministry of Culture (Nur Fibak), an attractive, flirtatious young woman who is a huge fan of Y's work. They become friendly and she casually mentions a form he must sign in order to get paid for the appearance. The form, which limits the topics he can discuss, becomes a symbol of everything Y detests about his country.
Courtesy of Kino Lorber
Though the story is about Y’s despair over what he believes is the crumbling state of Israel, Lapid’s film is a tour de fo[...]
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3 years ago
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Courtesy of Cohen Media Group
Gagarine, a fresh and poignant feature debut by Fanny Liatard and Jérémy Trouilh (co-written with Benjamin Charbit), is about the beauty and strength of community, embodied here by the residents of the Cité Gagarine housing project on the outskirts of Paris.
Filmed just prior to the demolition of Gagarine in 2019 and with the participation of its residents, the movie follows one young tenant, Youri (Alséni Bathily, making his screen debut) – named for the complex’s namesake, Russian astronaut Yuri Gagarin – as he fights to preserve his home and community. The filmmakers combine stark realism with dreamy fantasy to portray the world of Gagarine and the imagination of Youri, a serious, science-minded teen who dreams of being an astronaut. His apartment is full of hi-tech devices fashioned from scavenged materials, including a tricked-out telescope through which he scans the heavens.
Courtesy of Cohen Media Group
Along with his intrepid, enterprising friends Houssam (Jamil McCraven) and fellow gearhead Diana (the luminous Lyna Khoudri), Youri rummages for electrical parts to fix the building’s wiring prior to an inspection. He hopes to forestall Gagarine's imminent destruction and the relocation of residents, who come from various ethnic and cultural backgrounds. A valued member of the community, Youri creates a special canopy through which his neighbors come together to watch a solar eclipse; it's a particularly lovely scene underscor[...]
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3 years ago
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Courtesy of Cohen Media Group
An inspiring and visually delightful film, Beth Elise Hawk’s Breaking Bread features the founder of Israel’s annual A-Sham food Festival, as well as several participants, along with myriad mouth-watering depictions of Mediterranean cuisine. Founded in Haifa in 2015 by Dr. Nof Atamna-Ismaeel, the first Israeli Arab to win Israel’s MasterChef, the festival brings together Arab and Jewish chefs to collaborate on new iterations of Arabic dishes. Foremost a food documentary with some light social commentary, Breaking Bread begins with a quote from Anthony Bourdain: “Food may not be the answer to world peace, but it’s a start.” By the end of this feel-good film, even the most cynical among us may feel optimistic about that claim.
Presiding over the festival is the ever upbeat Atamna-Ismaeel, who declares that being an Israeli Arab is difficult—not completely accepted by either side—but “Stuck in the middle is the best thing because you get to enjoy both worlds.” Her belief that there’s no room for politics in the kitchen is echoed by others throughout the film. The sentiment rings true here, as it does with other creative collaborations, be it music, dance or art.
Courtesy of Cohen Media Group
Hawk introduces us to several chefs who have participated in A-Sham, including the loquacious Shlomi, who took over the Polish-inspired restaurant his grandfather founded; and his festival cooking partner, Ali, manager of a restaurant in his pictures[...]
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