Tags archives: Art For Progress
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6 years ago
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by Beláxis Buil
We met a few years back. Our meeting encounter happened during an exhibition Intersectionality, 2016 at the Museum of Contemporary Art in Miami, Florida. Eurydice Kamvyselli struck me as a woman who resists nonsense, but more so, foolishness from any opponent who questions her prerogative. But her confrontation is directed towards men (since it has been men creating most sex scandals), and rescuing our vaginas and womanhood, as an agency. Her ammunition deeply roots in communication and literature, with an array of published books on sexual identity, investigations on socio-sexual practices and the raging plague of sexual violation women face every day.
In her first novel, F/32, she tells the story of a "woman's vagina abandoning her body as a stranger on the street is assaulting her." It is not to say Eurydice has a problem with sex, but more specifically, she reminds us of how women are silenced when faced with the woe of the patriarchs' contamination of its true meaning and intention. After all, sex should be an element of power for women in both public and private spaces, not a transactional feature as compromised in Western capitalism.
Her practice as a writer, visual artist, speaker, and activist has given her a voice: one that aims to dismantle "the patriarchy that binds women to its words, laws, paradigms, and aesthetics." Since the #METOO movement, Eurydice grabbed the "bull by its horns" and commenced a new project: SpeakSex Podcas[...]
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6 years ago
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Art for Progress Summer Arts Program 2018
Art for Progress (AFP) is pleased to announce The Pierre & Tana Matisse Foundation has awarded the organization a three year grant in support of its Summer Arts Program. After a highly successful launch of the program in 2018, the foundation requested a multi year proposal to support the program which was recently granted in May.
Art for Progress will receive $52,500 to fund the program through 2021. The program was developed with the purpose of providing instruction in both music and visual arts over the summer months for students and young adults who are interested in careers in art and music. Although the focus is to provide instruction, knowledge and insight for career oriented students, the program is open to anyone interested (ages 13-24). Some of the key objectives of the program include:
providing a challenging curriculum while giving students the opportunity to choose and learn skills they desirepresenting professional, engaging artists to speak to attendees about the challenges of choosing a career in artssharing information and knowledge that's typically not offered in formal school programs such as "Key Tenets for the Professional Artist."providing teaching opportunities for students who are interested in education careers
The workshops will take place on four consecutive Sundays beginning July 14th (July 21st, July 28th, August 4th) from 10:30am-4:30pm. There is no cost for students and lunch wil[...]
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6 years ago
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Mademoiselle Paradis
The 11th edition of the Panorama Europe film festival, co-presented by Museum of the Moving Image (MoMI) and the members of European Union National Institutes for Culture (EUNIC), will take place from Friday, May 3, through Sunday, May 19.
The 17 films screening this year, programmed by David Schwartz, MoMI curator-at-large, represent some of the continent’s most intriguing emerging directors, nine of them women. Included are both documentaries and fiction, many of them set in contemporary Europe, reflecting its current state of flux. Though the films tackle weighty subjects such as politics, history, labor, and feminism, their stories focus on the lives of individuals.
In addition to films from cinematically prolific countries such as Germany, Spain and France, there are entries from Malta, Slovakia, and Croatia, among other places that are not as widely represented on screen, providing welcome glimpses into those cultures.
Screenings will take place at the Museum of the Moving Image (36-01 35th Avenue, Astoria) and Bohemian National Hall (321 East 73rd Street, Manhattan).
The festival opens with the U.S. premiere of Mademoiselle Paradis, Barbara Albert’s excellent period drama, starring Romanian actress Maria Dragus as blind, 18th-century pianist Maria-Theresia Paradis. Though visually lush and authentic to its time, this mildly satirical film is also feminist in its depiction of a determined young [...]
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6 years ago
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Courtesy of IFC Films
Diane, the narrative debut by Kent Jones (director of the New York Film Festival) is a thoughtful, deeply affecting film, especially so for viewers who are middle-aged or older, or have recently been touched by death. (Though all but the most shallow of viewers will probably feel something.)
The film, which stars Mary Kay Place in one of the most intense and substantial roles of her career, is the portrait of a woman who busies herself caring for those around her while struggling with shame, loss and no less than the meaning of life itself.
In many ways she is like all of us, which is why the movie resonates. Ostensibly a simple story of an ordinary life in a New England town, Diane almost furtively tackles the Big Issues. The film starts off stylistically straightforward, with close-ups of mundane kitchen items and conventionally framed conversations, before becoming progressively more surreal, as if showing how we, like Diane, are part of a bigger picture that we can't really control, or even grasp at times.
Courtesy of IFC Films
We first see Diane asleep in a hospital room chair, as the room’s occupant, her cousin Donna (a sharp Deirdre O'Connell), asks if she's OK. Throughout the movie, various friends, relatives and acquaintances will inquire about Diane’s well-being, as she cares for them. A retired widow, she brings food to ailing neighbors and volunteers at a soup kitchen with her friend Bobbie (a sympathetic Andrea Martin). She a[...]
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6 years ago
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A truly original work from Icelandic director Benedikt Erlingsson, Woman at War is a whimsical action film about a middle-aged eco-terrorist fighting local industrialization. Starring the wonderful Halldóra Geirharðsdóttir as Halla, an upbeat choir director who secretly dismantles power lines in her spare time, Woman at War is also a musical of sorts, with both an Icelandic combo and a Ukrainian vocal trio punctuating the action. It’s doubtful that the issue of environmental conservation has ever been handled in such a delightful manner.
Courtesy of Magnolia Pictures
When we first meet Halla, she’s busily cutting down power lines that mar the gorgeous, almost otherworldly-seeming Icelandic countryside, as musicians playing percussive tuba, organ and drums look on. When she tries to escape a surveillance helicopter, Halla comes upon a gruff but sympathetic local farmer (Jóhann Sigurðarson), who agrees to help her. Apparently this is not the first time she’s sabotaged the power project.
Later, when Halla shows up for choir practice, one of its members takes her aside and begs her to stop her activities. Baldvin (Jörundur Ragnarsson), the only one who knows her secret mission, is a government minister who initially supported her, but now thinks she’s gone too far. Not only has China gotten cold feet about doing business in Iceland, but, the U.S. has launched a satellite to monitor the area. Meanwhile a young Spanish-speaking foreigner (Juan Camillo Roman Estrada) is t[...]
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6 years ago
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Courtesy of Greenwich Entertainment
There have been many worthwhile films about the World World II Holocaust and its survivors. Though it seems as though every angle has been covered, The Invisibles, a riveting docudrama by German filmmaker Claus Ráfle, is an unusually compelling new addition to the genre.
Goebbels declared Berlin free of Jews in 1943 (the city originally numbered 160,000); however, out of the 7000 who resisted deportation and remained, 1500 were left by the war’s end. The Invisibles follows four young Berliners, as they individually defy the Nazi mandate to evacuate via deportation, choosing instead to wait out the war as veritable fugitives in their own city.
Cioma Schönhaus, Hanni Lévy, Ruth Arndt and Eugen Friede are skillfully portrayed by actors in their youth and appear as themselves discussing their experiences decades later. Ráfle smoothly weaves their individual stories together, creating a movie that plays like a spy thriller as the protagonists face mounting danger from Nazis and, ironically, Allied bombs and invasion, while finding help from various heroic resistors.
Though their plights are obviously similar, the four had different experiences marked by a shared characteristic: a sort of youthful fearlessness and resourcefulness, combined with a fierce will to survive.
Courtesy of Greenwich Entertainment
In 1942 Schönhaus (Max Mauff), a somewhat cocky, 20-year-old art student, is separated from his parents [...]
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6 years ago
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Since 1998, the Animation Show of Shows has selected the best animated shorts from around the world. According to founder and curator Ron Diamond, the 15 films chosen for the 20th annual edition “really illuminate human strengths and foibles, and the bonds that unite us across cultures and generations.” Though these films and their animators come from various backgrounds and countries, the themes represented are truly relatable across the board.
Ranging from 70 seconds to 15 minutes, the works range from darkly funny to deeply moving, representing an impressive array of visual styles and moods. Running a little over an hour and a half, the entire program is a treat from start to finish.
Some highlights include:
Grands Canons, from French multimedia artist Alain Biet, is a dizzying visual presentation of thousands of hand-dawn everyday objects, presented at various speeds and in myriad permutations, accompanied by jaunty, propulsive music. Clearly a labor of love, it ultimately becomes mesmerizing.
Barry, from filmmaker and Cal Arts animation student Anchi Shen, is a humorous, simply drawn story about a goat with a Harvard degree applying for an oncologist position at a hospital. He's first relegated to custodial work until he saves the day in the OR. Though his fellow physicians cheer him on, he’s fired from the staff because “Goats are never doctors.” A clever take on stereotyping.
The visually intriguing Love Me, Fear Me from Romanian filmmaker Veronica S[...]
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6 years ago
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Hot off a national tour and an acclaimed performance at Hulaween, Toubab Krewe will perform a special, intimate engagement Friday, November 30th to benefit arts education in New York City. The concert, Music For Progress, will take place at NYC's famed Rockwood Music Hall and proceeds will go to Art For Progress, a local 501(c)3 non-profit arts organization committed to bringing arts education to NYC's public schools in underserved communities. In a city that boasts world-class music and art programming every hour of every day, many public schools throughout the five boroughs lack the budget, funding and personnel for robust programs to empower young artists and musicians. Through the work of Art for Progress, even the most disenfranchised have an opportunity to learn and engage with music!
With a strong track record in partnering with mission-based cultural organizations, Toubab Krewe is thrilled to be working with AFP to share a message of global community and empowerment.
Special VIP donor tickets with be offered, which will include a private viewing platform, a signed vinyl copy of the band's recent album 'Stylo,' as well as a box of fruit and vegetable seeds which the band released in conjunction with the album to promote sustainability, and other surprise merch gifts!
Support will be provided by Bad Faces, a local power quintet as deeply rooted in traditional roots music as they are reaching for stratospheric heights in their improvisational explorations. The g[...]
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6 years ago
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Now in its 9th edition, DOC NYC—America’s largest documentary film festival—runs from November 8 through 15. More than 300 films and events are included in a variety of categories, including American Perspectives, Behind the Scenes, Fight the Power, International Perspectives, Portraits, Jock Docs, Modern Family, Science Nonfiction, Sonic Cinema, and True Love. In most cases, filmmakers (and often their subjects) will be on hand to answer questions, post-screening. Awards will be given in several sections, including an overall Audience Award.
The gamut of films this year includes epic portrait Beyond the Bolex, Alyssa Bolsey’s doc about her great-grandfather, the groundbreaking movie camera inventor Jacques Bolsey; Afterward, in which Jerusalem-born director and trauma expert Ofra Bloch visits victims and victimizers in Germany, Israel and Palestine; Lindsey Cordero & Armando Croda’s timely I’m Leaving Now, about an undocumented worker in Brooklyn facing a difficult crossroads; and We Are Not Done Yet, a short directed by Sareen Hairabedian and produced by actor Jeffrey Wright, about U.S. veterans combating their traumatic military histories through art, poetry and performance.
A few more highlights:
Dennis and Lois
A doc by Chris Cassidy that will resonate with music fans, Dennis and Lois is a portrait of a 60-something couple who have been music superfans for over 40 years. The Brooklyn-based duo, together since 1975, live in a house stuffed with band mem[...]
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6 years ago
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Federico Guzmán (AKA Fiko) has become an iconic figure in Western Sahara, utilizing the platform art offers as a vehicle to promote peace and social change to the Saharawi people. Guzmán treads between a soldier of solidarity and curator of cultures emphasizing on gatherings, art, and experiences that will induce an exchange of ideas and collaborations between artists and wherever his projects realize, and the local community.
For twelve years Guzmán has co-organized ARTifariti The Arts and Human Rights Encounters of Western Sahara in the African desert "as a way to explain the circumstances of the Saharawi people " creating a "weapon of visibility" to a story not globally known by many nor should be hidden from the public eye: and with projects such as ARTifariti one sees the opportunity to include foreign narratives and artists distanced by unfavorable political circumstances into the art world”.
The selected artists demonstrate couth in human rights and its relevance within the arts, but more importantly "are confronted a reality" that is life-changing from personal to professional, receiving a surreal cultural exchange with fresh perspectives and resilient power from the Sahawari people (especially from the matriarch figure whose role is to lead the community).
During 2018's visitation in the Sahara, the artists delve into intense creative processes of art-making, finally exhibiting and documenting the work(s). Collaborations are accessible on the list of act[...]
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6 years ago
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Denmark’s official entry for Best Foreign Language Film, The Guilty is as suspenseful as they come. Gustav Möller’s dark, spare thriller opens in an emergency dispatch center and never leaves the premises. Most of the action takes place on the phone as Asger Holm (Jakob Cedergren), a cop demoted to desk duty, tries desperately to save a life. It’s a testament to Möller’s abilities that this claustrophobic, no-frills film never loses steam, but continues to grip the viewer throughout its 85-minute runtime.
Right from the start, the focus is tight on Asger as he gruffly handles mundane, almost amusing, emergency calls—someone freaking out on drugs, a guy who was mugged by a prostitute. Just when the bored cop begins to space out, there's a call from a woman in distress. As he quickly ascertains that she is being held in a moving car against her will, the film’s tension immediately ratchets up.
The woman pretends she's speaking with her child as Asger asks a series of questions to figure out her location. His mind spinning with possibilities, he embarks on a series of frantic calls, which include sending a patrol car to a location indicated by her phone’s GPS. He also calls the woman’s home and speaks to her panicked six-year-old, promising the girl that he’ll protect her mother. Keeping his calm at first, Asger skillfully unravels the situation while constantly being told by various entities that it’s not his job. There’s talk about a big case coming up the next d[...]
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6 years ago
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Art for Progress (AFP) is thrilled and honored to present a night of empowering original music, created for a special evening to benefit AFP’s art education programs. Music for Progress will take place on Friday November 30th at NYC’s quintessential listening room, Rockwood Music Hall (stage 2) and feature psychedelic world-jam group Toubab Krewe, Brooklyn power trio Bad Faces, and 3Bridge Records and Flemcy Music recording artist and DJ, Gatto. Get your tickets [HERE]
Blending American and West African influences into a sound all its own, Toubab Krewe has set "a new standard for fusions of rock 'n' roll and West African music" (Afro pop Worldwide). Since forming in 2005, the magnetic Asheville, NC based quintet has won a diverse and devoted following while performing everywhere from Bonnaroo to the Festival of the Desert in Essakane, Mali. Mixing American rock with the musical traditions the band fell in love with on their travels to Africa, their sound also nods to surf and zydeco. This fusion of sound is what the Village Voice describes as "a futuristic, psychedelic, neo-griot frenzy" and Honest Tune hails as "one of the most innovative voices in music today."
Bad Faces are a Brooklyn power trio as deeply rooted in American traditional music as they are reaching for new stratospheric heights in their improvisational explorations. Led by singer/guitarist Barry Komitor, a fixture in New York's vibrant folk and bluegrass scene, the group has amassed a strong local foll[...]
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