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6 years ago
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Federico Guzmán (AKA Fiko) has become an iconic figure in Western Sahara, utilizing the platform art offers as a vehicle to promote peace and social change to the Saharawi people. Guzmán treads between a soldier of solidarity and curator of cultures emphasizing on gatherings, art, and experiences that will induce an exchange of ideas and collaborations between artists and wherever his projects realize, and the local community.
For twelve years Guzmán has co-organized ARTifariti The Arts and Human Rights Encounters of Western Sahara in the African desert "as a way to explain the circumstances of the Saharawi people " creating a "weapon of visibility" to a story not globally known by many nor should be hidden from the public eye: and with projects such as ARTifariti one sees the opportunity to include foreign narratives and artists distanced by unfavorable political circumstances into the art world”.
The selected artists demonstrate couth in human rights and its relevance within the arts, but more importantly "are confronted a reality" that is life-changing from personal to professional, receiving a surreal cultural exchange with fresh perspectives and resilient power from the Sahawari people (especially from the matriarch figure whose role is to lead the community).
During 2018's visitation in the Sahara, the artists delve into intense creative processes of art-making, finally exhibiting and documenting the work(s). Collaborations are accessible on the list of act[...]
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6 years ago
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Milly Cardoso was born and raised in Miami, Florida and is the Director and Curator for the University of Miami Gallery in the Wynwood Art District. Prior to joining University of Miami, she worked for the Miami Art Museum (Pérez Art Museum, Miami) and the Mitchell Wolfson, Jr. Private Collection.
Milly is currently organizing an all-female group exhibition titled " Yes, I'm a Witch" to be presented at FATVillage Projects on September 24 – October 28, 2018, strongly supporting the works of local artists residing in South Florida.
I decided to chat with Milly about America's obsession with the topic, what or who determines a witch and the '' mass hysteria" ( of sorts) we still face today.
Interview with Milly Cardoso:
BB: From my understanding, it's been stated, you title the exhibitions you curate after songs? Why is that?
MC: Not for every exhibition, but yes, I’m very inspired by music. Lyrics inspire me. I hear a great lyric and think “that would make a fantastic exhibition.” I like every genre; I feel sorry for people who only listen to one form of music. They don’t know what they’re missing.
BB: What song, in particular, has most personally affected an exhibition? How so?
It’s difficult to pick a favorite, but it would have to be Clang, Boom, Steam. It’s an exhibition I curated in 2013 with male artists that focused on the state of masculinity in contemporary art. Clang, Boom, Steam is a song by Tom Waits. It’s only 52 seconds long, but it delive[...]
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6 years ago
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It was the industrial revolution that first attempted to record sound “as a medium for preservation," activating the phenomena of noise as an integral source when documenting history. Thomas Edison received notoriety for the phonograph in 1877, but it was really Edouard-Lèon Scott de Martinsville who invented the phonautograph in 1857, the first recording device. The device was specifically created to study frequency found in sounds, an intention much different from the phonograph invented by Edison which was to play and “reproduce the recorded sound… originally recorded onto a tinfoil”. As per historical reference ( author unknown ), “The phonograph revolutionized the art of music. Performances were recorded and people could listen to them at their leisure. It also made music and communication more public. The invention signaled the birth of a new form of entertainment and an entirely new field of business that fed the demand for the new invention, the music industry”- hence both inventions put an end to the masses' naiveté to the sense of hearing, and introduced the start of audio’s sensational future possibilities.
When we fast forward through the history of music and sound, we could say that the underground rave music scene (which famously erupted somewhere in between Chicago and the UK during the late 80’s), had a lot of thanking to give the founding fathers of sound, more so Edison’s phonograph. It was the phonograph that gathered groups of people before a speake[...]
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