Tags archives: Jeremy Danneman
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10 years ago
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In association with Art for Progress (AFP) Déjà vu art exhibition, the group will host three exciting events during the two week show that features 14 international artists.
Following up a fantastic opening night on October 30th, AFP will host an evening of unamplified sounds from its talented stable of musical artists at the space on Thursday, November 6th at 7:00PM.
Barry Komitor, AFP’s Arts Education Program Manager and a teaching artist, will play an acoustic set followed by Jeremy Danneman from Parade of One. Plus, a surprise special guest performance.
On Sunday November 9th, Art for Progress will host a brunch titled, Drones, Donuts and DJ’s from noon to 3pm at NOoSPHERE Arts.
On opening night, artist Essam’s drone installation garnered much attention as people approached the space on Houston Street and experienced the actual sound from an approaching drone.
As guests approach the space on Sunday the 9th, they’ll also hear the rich, full sound of analog beats (vinyl) being spun by DJ’s Bruce Tantum, Gatto (AFP’s founder & director) and Brett Crenshaw.
And let’s not forget the donuts! Other than ice cream, donuts are one of the most loved foods in America! So, join us for brunch and enjoy a prominent topic of conversation, quality analog music and of course, donuts!
Although we’ll be sad to see the exhibition close on November 12th, it will be an exciting evening as we host an artist talk from 6pm-8pm with NYC based artists Essam and gilf!
We [...]
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12 years ago
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On Tuesday March 12, the AFP music program at Humanities Preparatory Academy was fortunate to host Jeremy Danneman of ParadeOfOne for a special multimedia presentation to students. Mr. Danneman is a truly unique artist with a poignant social message that made a palpable impact on the students and their perspective on art, music and world events. The presentation involved showing students slides, playing both live and recorded music, and discussing his experiences having visited Rwanda and Cambodia, two countries that have been recently ravaged by genocide. He shared stories about and recordings of musicians he was fortunate to encounter in these locales, and collaborations he performed with them, despite having possessed no other means of communication with them save for an interpreter. His enthusiastic explanations of his motives for doing this type of work and colorful retelling of his experiences illustrated beautifully the potency of music and arts to bridge social divides, and to introduce a new, living meaning to cultural exchange and painful, but important world events. The presentations culminated with live performances by Mr. Danneman on saxophone and clarinet, and in one case included myself playing guitar in an impromptu musical improvisation that tied together the power of all the skills that students have been learning in class for the past semester. AFP would like to thank Mr. Danneman for visiting our classes, and look forward to hosting him again soon along wi[...]
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