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5 years ago
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Artists and people in general should always be very careful when hiring companies from overseas for services online. It's particularly important when you're looking for help with costly projects such as building websites.
There's been much written about the challenges of hiring companies in India for website and software development. Some of the common problems include:
Lack of Quality Control: When companies pay developers around $1 per hour and they work 10-12 hours a day, the quality of the work goes out the window. The challenge is finding a company with senior programmers and project managers to oversea the quality aspect. Unfortunately, great Indian web development companies are few and far between, as remote work has resulted in many scam artists with no repercussions when your projects fall through."Yes" Culture: Indian companies will say "yes" to any project even if they really mean "maybe" or "I don't know." They'll agree to the job even though they're not capable of doing it.Difficulty Meeting Deadlines and Taking Responsibility: In the U.S. deadlines are strictly followed, but in India they are just guidelines and never really followed. They'll give you many excuses as to why they didn't meet the deadline, and they'll never take responsibility for it.
Other commons problems include: bait and switch, frequent disruptions and inability to make decisions.
One other important point- don't be fooled by the positive reviews you see for these companies. T[...]
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6 years ago
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Gregory Siff, "You" ink, oil, crayon on canvas 2019
After missing the December shows in Miami, I was determined to get out and see what New York had to offer at Armory Week. I had planned to attend the Art on Paper opening on Thursday, but I wasn't able to make it. So, Saturday was my day to get my art fix. I got an early start with the idea of beating the crowds and catching up with some artists and curators I haven't seen for a while.
Michael Flomen, "Full Moon Rain, Number 3," 2016
First stop was Plan B, which was one of the smaller shows- a pop up art show created by a group of gallery owners when Volta was cancelled. Sometimes you can find some really intriguing work at the smaller shows. For example, this piece by Michael Flomen ("Full Moon Rain, Number 3") caught my attention. It's quite minimal, but very creative. The Canadian born Flomen collaborates with nature using photogram's to create these unique pieces. The black pigment, cracked surface and contrast got my initial attention and required a closer look.
The other artist that caught my attention at Plan B was Jongmin Joy Kim, a NYC transplant from Korea. His expressive, colorful abstract work was fun and had a street art vibe.
Jongmin Joy Kim, untitled, 2018
Our next stop, which is usually very good in Miami was Scope. I did attend Scope in New York in 2018 and found it to be disappointing. So, I was curious to see how the show would compare to last year's show.
Upon entering, the [...]
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8 years ago
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With the weather forecast calling for temperatures in the upper 90's on Friday, we did our best to prepare for an all day event in the sweltering NYC summer heat. But upon entering the venue, it was clear that the organizers of the Panorama Festival planned appropriately for our day. With many free water kiosks, tents and air conditioned art & music areas, it was easy to cool down if you were feeling overwhelmed by the oppressive heat.
And although it's not so easy to get to Randall's Island, our timing was very good, and as we walked in Here We Go Magic was just starting to play in the huge tent to the north side of the venue. I was happy to finally here the band live. Some years ago I interviewed Luke Temple, but lost touch with the band's more recent happenings. They had a decent crowd for the early part of the day, and although they apologized for some technical difficulties, we were impressed with their set.
As we made our way over to the main stage, we could hear Algier's set was already in full swing. Algier's set was only 30 minutes, but their powerful, dark soulful sound was evident throughout. While listening we were able to cool down over at the American Express spot. We snapped together some complimentary sunglasses and enjoyed some refreshments for a bit before heading back to the pavilion to hear Preservation Hall Jazz Band. A rather large, enthusiastic crowd was now gathered and grooving to some of the best New Orleans style jazz you can fi[...]
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9 years ago
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I once read that people who see faces in inanimate, non-portrait objects, are neurotic, and the article did not mean that endearingly. If that's true, then children who make animal and human shapes out of clouds (so many) are neurotic. And truthfully, most artists are too. So with that, I will use this post to talk about an artists who plays with this idea in a rather beautiful way, and to tip my hat to those individuals who choose to and are able to view the world in a more fascinating way.
Jane Lafarge Hamill's paintings combine traditional portraiture with modern abstraction. Her works first appear as a slather of saturated, vibrant colors, enhanced by her thick application of paint. However, though appearing haphazard, the way she has manipulated the paint allows for a vague, albeit familiar, image of a human's face to come through. Depending on how she has arranged the lines sometimes the face is in profile, sometimes face front.
What really allows for the portraits to be visualized is not in the revelation of facial features, as they are pretty blurry, but in the way the lines make up the shape of the head - the forehead, jawline, and neck specifically. While this alone makes her painting style unique, what makes her work beautiful is her use of color. Her pieces are not exceptionally large, rather they are on the smaller side, yet they instantly pop out due to the layers of applied color and the vibrancy of the palette.
What is especially contemporary [...]
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9 years ago
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The AFP crew was inspired and motivated for the road trip up to the great city of Montreal. By the time the Greenpoint (Haven) rooftop event was in the books, it was late Sunday afternoon and Friday morning gave us just enough time to rest up for the 3 day festival. We mapped out the car ride and the artist performance schedule. Our Day 1 (Friday) plan was to arrive at Parc Jean-Drapeau by 3:30pm to see Run the Jewels. After a couple of snags we arrived a little later, but we did make it on time to see one of our more anticipated performances- The Kills.
Sadly, the band had some technical issues on stage, but despite their frustrations they rocked on and ended with a killer rendition of No Wow. Thirsty from the ride, we found ourselves guzzling Molson's at a rather rapid pace as we strolled over to see Chet Faker on an adjacent stage. He quickly went into his popular hits like Gold and 1998 with the electric soul vibe that we have been digging. It was obvious that many festival goers were excited to see the Australian perform, and he didn't disappoint.
As we made our way to the main stages (Riviere and Montagne), some of the original sculptures and art installations caught our attention. By the way, Osheaga is not just a music festival, but also an arts festival (heavy on the music). Some of the work was highly creative (images below) and seriously involved. The participating artists for 2015 were Station 16 Gallery, animators from the NFB, graduates of UQÀM’s D[...]
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10 years ago
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It was a cold Saturday afternoon, but I was motivated to trek over to Chelsea to check out the Kitchen Girls & Toy Boys show at Rush Arts Gallery. Artists Sindy Butz and Sol Kjok are participating artists in the show and have both worked with AFP on various projects.
It didn't take long for me to identify Sol's very large piece, "Strings Attached" as I walked into the gallery. Her figurative work bursts off the canvas with great detail and her use of color brings out the emotion in her characters. In this piece the characters are strung together and appear to be grasping and climbing over each other while still maintaining a certain co-dependence.
I was impressed with the overall quality and diversity of the work in the show. The work of Reinhold Gottwald caught my attention. His colorful, small, abstract pieces on wood are hung/arranged as if they are a group of planets sharing the same solar system. I found Markus Fiedler's beeswax sneakers quite intriguing and an interesting piece(s) to be included in the show. I was impressed with the incredible detail he was able to achieve using beeswax.
I noticed Sindy crouched down on the floor, but I didn't realize that her performance had already begun. What is she up to this time? Sindy's not afraid to take on the not so obvious social issues of the day. Her thought provoking work continues to evolve and this performance would not disappoint. The message on the floor read, "The West Tastes like Gold." As Sind[...]
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10 years ago
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There's have been so many good electronic- and dance-music releases coming out lately that our heads are spinning…but we've conquered our vertigo enough that we can tell you about two of our favorite recent releases. As an added bonus, both of them have a strong Gotham component - go, home team!—Bruce Tantum
New York Endless
Strategies EP
(Golf Channel Recordings)
“Scale Those Heights,” off the debut EP from New York Endless, is bedecked with the following ornamentation: a metronomic, tick-tocking rhythm; percolating, cascading synths; a spare, haunting melody and, when a four-chord keyboard pattern kicks in around the three-minute mark, a quietly triumphant ambiance. In short, it’s a gorgeous tune that’s not far removed from the work of Kraftwerk, especially the often-meditative, flowing music the German quartet produced for mid-period albums such as ’77's Trans-Europe Express and ’78's The Man-Machine—and for Dan Selzer, the man behind New York Endless, that likely would be the ultimate tribute. Selzer, a veteran DJ and longtime underground presence (he runs the postpunk/new-wave–oriented label Acute Records, among many other claims to fame), doesn’t keep his love of Kraftwerk, and specifically, the combo's “Europe Endless,” a secret, and the shimmering aesthetic of that song and that album runs strong on this EP.
Which is not to say that Selzer has made a slavish, gently cosmic Kraftwerk copy here. “Scale Those Heights” is a full-bodied and muscular work, closer[...]
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