Tags archives: Tawfeek Barhom
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9 years ago
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Eran Riklis’s A Borrowed Identity starts out on a humorous note, as we see young Eyad (Razi Gabareen) attempting to improve his family’s TV reception by adjusting the roof antenna, while his father Salah (Ali Suliman) shouts instructions out the window. Though Eyad loses his footing, falls and is knocked unconscious, the generally blasé reaction of his family lets us know he’ll be OK. We learn that Eyad and his family – Salah, mother (Laëtitia Eïdo), grandmother (Marlene Bajali) and several brothers – are Arabs living in the Israeli town of Tira. Although the film, which is set in the 1980s and early 90s, retains moments of levity throughout, it soon becomes a serious coming-of-age story about a young man who is caught between two often clashing cultures.
According to a 2013 census, over 20% of Israel’s population are Arabs, citizens of Israel who consider themselves Palestinian by nationality. A Borrowed Identity is based on the semi-autobiographical novel Dancing Arabs by Sayed Kashua, who also wrote the screenplay. It’s a clear-eyed look at the difficult situation of people who are not full members of the society in which they live, as well as the well-intentioned attempts by those in power at bridging that gap. In one early, mordantly funny scene, young Eyad casually announces, “Mom, I brought home my Jew,” the result of a school program endeavoring to bring together Palestinian and Jewish children.
We learn that Eyad's father attended university as a youth, but[...]
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