Tags archives: Art For Progress
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10 years ago
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The Bowery Electric played host to APF’s Homegrown show with Animal Talk, VHS Collection, Cheap Satori and goodbyemotel this past Wednesday night. The show celebrated the recent release of goodbyemotel's new album iF, which came out earlier that week, and was the band’s first gig post-album release. The record took two years to finish, but the wait was well worth it for the band returned to the stage with great new songs and as strong of a performance as ever.
Boston’s Animal Talk opened the night with indie pop that you can’t help, but dance to. Songs like “Mama Was A Teenage Rocker” and “Tie Me Up” had the audience shuffling along right from the start. There’s something truly infectious about their combination of pervasive drums and soft vocals that keep you bopping along. “Dirty Feelings,” which opened their set, showcased vocalist/guitarist Steven Kilgore’s impressive range. He floated up to the high notes in "Monster" with ease. The band's original work was a lot of fun to jam along to, but perhaps the unexpected highlight of Animal Talk’s set was their cover of “Poison.” It was a welcome surprise that drummer Greg Faucher gave away as soon as he began those telltale opening bars on the drum machine. Kilgore again rose to the occassion, singing the Bell Biv DeVoe classic with no difficulty.
Cheap Satori took the stage next to deliver PJ Harvey-esque piano-driven indie rock. It was a step down in energy when compared to Animal Talk, but the band showed potential[...]
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10 years ago
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Were you at this past weekend’s Brooklyn Electronic Music Festival? If not, you missed borough-load of great parties, soundtracked by scores of brilliant artists and DJs. One of the best was the Rinsed closing party, held in a Bushwick warehouse space and featuring guest sets from the inimitable Detroit producer Omar-S, the always-worth-catching Chrissy and the Basement Floor label’s Turtle Bugg. In case you’re not familiar with Rinsed, the soiree has featured iconic artists and DJs along the lines of Inner City, MK, MJ Cole, Juan Atkins and Todd Edwards; stars of slightly more recent vintage like Jackmaster, Jacques Greene, Ejeca, Ben Pearce and Chris Malinchak; local players like Juan MacLean, Justin Strauss, Morgan Geist, Populette and Aurora Halal; and a list of outliers that includes Actress, NGUZUNGUZU, Ital, Sepalcure and Jaw Jam. Oh, and a bunch of other people, too—not bad for a shindig that, when it debuted four years ago, hosted about a hundred people in the loft space above Public Assembly. Nowadays, resident spinners Dan Wender and Blacky II, along with Rinsed’s indispensable “visual aesthetician” A.Pop, are among those running the show in Kings County. We asked the core gang, Brooklynites all, what they loved about their home borough, and here are their wide-ranging replies.
A.Pop
Some things I love about BK:
That you can find cappuccino Lays chips in Bushwick, the best slice of your life in Midwood, 24-hour amazing tacos in Sunset Park, or blue ribbon[...]
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10 years ago
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The word “sweet” has appeared in almost every description of Hoje Eu Quero Voltar Sozinho (The Way He Looks), the feature debut from Brazilian director Daniel Ribeiro. (He used it himself during our conversation.) That might be off-putting to some, especially when describing a coming-of-age story with a blind protagonist.
But Ribeiro’s film isn’t all sentimentality and charm. His main character, Leonardo (beautifully portrayed by Ghilherme Lobo), while very likeable, is also stubborn, as are most teens. He also happens to be gay, something he discovers when he falls in love for the first time, with the new boy at school (Fabio Audi). There’s also jealousy (via Leo’s best friend Giovana, played by Tess Amorim), bullying and parental friction, all handled with admirable restraint.
The movie is a poignant, low-key drama from a filmmaker who describes himself as an activist. His first short was 2007’s Café com Leite (You, Me and Him); The Way He Looks is an elaboration on his 2010 short Eu Não Quero Voltar Sozinho (I Don’t Want to Go Back Alone) — which also starred Lobo, Audi and Amorim. Recently I spoke via Skype with Ribeiro, who was in his hometown of São Paulo, taking a break from his travels for international screenings and promotional duties.
Your film opened in April in Brazil and has been screening all over the world; do you get the same sort of feedback from people everywhere?
Yeah, it’s interesting; the reaction is usually the same, because it is such a [...]
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10 years ago
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The first two albums from piano pop band Jukebox the Ghost have a distinctive spring to them that for a time defined the band’s sound. Let Live and Let Ghosts (2008) and Everything Under the Sun (2010) are both upbeat and lighthearted when compared to the more somber Safe Travels (2012). For this their third album, the dark humor like “Schizophrenia” and the cheekiness of tracks like “Hold It In” gave way to songs like the more serious “Don’t Let Me Fall Behind” and the more introspective “Dead.” Safe Travels marked a sonic as well as a thematic shift for the band. They still wrote humorous piano-driven pop songs, evident by tracks like “Oh, Emily,” but the album also showed that the band was learning to slow down and refine their sound. The track “Everybody Knows” perhaps best represents this new sound, this new trajectory that the band continued on for their newest release Jukebox the Ghost.
Their self-titled, which came out on the 21st, sounds like a continuation of Safe Travel. It returns to some of the same themes lyrically and sonically walks a similar line. That same slow building, anthem-esque beat of “Everybody Knows” can be found in the album’s lead single “The Great Unknown.” The song opens with pianist/vocalist Ben Thornewill singing alone to his piano; this is built masterfully into a crescendo of layered vocals and snare drum. This sound, along with the song's lyrics, characterizes Jukebox the Ghost. The lyrics are autobiographical, but still relatable an[...]
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10 years ago
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In association with Art for Progress (AFP) Déjà vu art exhibition, the group will host three exciting events during the two week show that features 14 international artists.
Following up a fantastic opening night on October 30th, AFP will host an evening of unamplified sounds from its talented stable of musical artists at the space on Thursday, November 6th at 7:00PM.
Barry Komitor, AFP’s Arts Education Program Manager and a teaching artist, will play an acoustic set followed by Jeremy Danneman from Parade of One. Plus, a surprise special guest performance.
On Sunday November 9th, Art for Progress will host a brunch titled, Drones, Donuts and DJ’s from noon to 3pm at NOoSPHERE Arts.
On opening night, artist Essam’s drone installation garnered much attention as people approached the space on Houston Street and experienced the actual sound from an approaching drone.
As guests approach the space on Sunday the 9th, they’ll also hear the rich, full sound of analog beats (vinyl) being spun by DJ’s Bruce Tantum, Gatto (AFP’s founder & director) and Brett Crenshaw.
And let’s not forget the donuts! Other than ice cream, donuts are one of the most loved foods in America! So, join us for brunch and enjoy a prominent topic of conversation, quality analog music and of course, donuts!
Although we’ll be sad to see the exhibition close on November 12th, it will be an exciting evening as we host an artist talk from 6pm-8pm with NYC based artists Essam and gilf!
We [...]
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10 years ago
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Celebrity ghost writer Michael Malice is the subject of Harvey Pekar's Ego & Hubris, and is best known for co-authoring books with prominent personalities like comedian D.L. Hughley. In an interview, Pekar aptly describes Malice as someone who is "motivated by things that are different than what motivates other people." Take his recent output Dear Reader: The Unauthorized Autobiography of Kim Jong Il, which explores the life and influence of the beloved/feared former North Korean leader. Funded by a successful Kickstarter campaign, Malice breathes new life into a little odd man from a "hermit kingdom" that many in the West would rather sweep under the rug of history.
He's also a fanatic of obscure 80s finds.
Follow him, Dear Reader, at @MichaelMalice. In the meantime, discover three of his prized personal possessions after the jump.
-Jacqueline Colette Prosper, @yummicoco
1) Traditional North Korean Suit
Backstory:
[When I was] going to North Korea, one of the things I really wanted was a handmade North Korean suit. There was someone on my tour who had one of those accordion cameras, like 1890s-y, but it was digital, and my guide did not know what that was. I'm like "oh, it's hipster," and then I tried to explain what "hipster" means. To a North Korean it was very hard for me to do, but fortunately good friend Nichelle Stephens had given me a definition years ago to mean "someone who likes anything that's old," so I said that's what "hipster" means. Later[...]
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10 years ago
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New York City has an ever changing art landscape. With the countless shows that go up on a weekly basis there are many topics that are explored and a wide array of artists featured in them. One such show opening this week is Art for Progress's "Déjà vu." This exhibition will be on display from October 30th through November 12th with an opening reception being held on Thursday evening from 6-10 pm at NOoSPHERE Gallery.
Two of the the artists in the show, Essam and
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10 years ago
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I am delighted to be blogging (every 8th and 25th of the month) about film for Art for Progress. The organization/site’s dual mission – supporting emerging artists and arts education – is an admirable one, especially given the stratospheric real estate prices in New York and other cities that have traditionally incubated arts scenes, and the deep cuts in pubic school arts education. The ever-escalating mainstream media coverage of celebrity-driven — as opposed to talent-driven — arts and entertainment doesn't help the current climate. Fortunately, blogs such as this exist!
In the past 20-or-so years of writing about movies for a variety of print and digital outlets, I’ve covered everything from major Hollywood releases to little-heralded films, interviewed (i.e., was allotted 15 phone minutes with) major movie stars and had long, insightful conversations with extremely independent filmmakers. It’s all been good, but I especially relish writing about lesser-known films and their creators; it’s always satisfying to encounter a fresh cinematic voice and easy to get caught up in the excitement of the filmmakers themselves. That's mainly the stuff I plan to cover here.
The Heart Machine, which received a lot of positive attention at this year’s SXSW Festival, is the first feature from writer/director Zachary Wigon, who used Kickstarter to help fund it. A 2008 graduate of NYU’s Tisch School of the Arts, Wigon has a background in film journalism. While at school he started[...]
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10 years ago
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There isn't a more musically diverse city than New York. The boroughs boast every kind of venue, from coffee shops to concert halls. From Barclays to The Bowery to The Silent Barn, there is a constant flow of musicians moving amongst, around and through NYC. Whether they are defining or defying a genre, each strive to make their mark. This blog aims to explore that journey and report on what the natives and newcomers are coming up with. On the 3rd and 20th of every month we will post on the up and coming, the established, the solo acts and the full bands, doing our best to bring you what's news and what's new. Open mic nights, co-headlined tours, battles of the bands and quality buskers are all fair game; we aim to bring you a mix of everything. We want to include the five person Balkan brass bands, the shoegazing indie rockers, head-smashing metal acts and whatever else this city may culture in its midsts. We understand that the NYC music scene is ever changing and we plan to keep pace. We won't tell you who to see or who to listen to, but if you would like suggestions we're here to help. We will be posting interviews, concert recaps, album reviews and any related news, all with the aim of making you a better informed listener. Welcome and we hope you enjoy the ride.
About your blogger: Zoe Marquedant grew up listening to, playing and illegally downloading (whoops) music. Nowadays there is rarely a moment when she does not have her headphones in. Although a longstand[...]
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10 years ago
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September has been another exciting month for AFP Arts Education. We have been forming alliances with a variety of other non-profit groups, as well as getting this semester’s programs under way. Teaching artist Elio Schiavo has been doing a great job with our new partner LACASA at P.S. 84. Elio is teaching four percussion classes per week to K-4 students.
I have hit the ground running at Humanities Prep this semester. In addition to having two great groups of kids in my regular classes, I have some very dedicated and focused students attending, and we are getting into some great stuff, including song analysis, learning how to identify the key or keys of a song, and some new improvisation techniques.
One of my favorite things about having the opportunity to teach at the same school for a third consecutive year is that new students have heard exciting things about my class from their friends. When they come to class in the beginning of the year they are eager and hopeful, they know the class can help them achieve goals that are important to them, and they are attentive and participate with less self-consciousness. Some students who have excelled and some who were slow to appreciate the opportunity actually request to be enrolled in the class for a second time. Whether they are expanding their repertoire or finally taking the class seriously, returning students are enthusiastic and focused without exception. Because there is a well established creative musical culture th[...]
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